A Quote by Will Arnett
I don't want to make a show about AA because it's a personal experience for anybody who is a part of that. My relationship with it has changed over the years, and I wanted the show to reflect that in a real way.
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My first show was called 'I Know I've Been Changed' in '92. I tried to do this show for years and years. It kept failing over and over and over again. Every time I went out to do the show, nobody showed up. I was like, 'What is this about?'
I really put my heart and soul into everything and I don't want a project that doesn't feel real to me or I don't get invested in. In order to drive a show for eight or 10 years or whatever the target for doing a show is, it really has to be a part of you. Because then I can come up with stories for seasons and seasons on end. I wish I had the ability to just like the idea and get people in and drive it that way through their enthusiasm. For me, it has to be a little more of a personal thing, even if it's not a completely personal story.
'Red vs Blue' as a show has evolved dramatically. It looks an entirely different show to what we started with, but the format of the show has changed so much over the years, too.
'Ragtime' was the most magical show that I've done. I had an incredible experience with that, with the show itself, with the cast, with the audience. The response to that show - my God, it really blew me away, the reactions to that show, the way it changed their lives and altered their thinking, their own self-discovery.
I will talk to anybody about 'Survivor's Remorse' because I'm proud of the show and the actors and directors and the entire crew. I just like doing the work, and I want people watching the show so we can make more.
I think the tone of the show has certainly changed over the years, because it's really, really hard to do something different when you have a show going on as long as this has.
In my shows, I always try to incorporate music because it's the most natural way to set a tone. So if I want to do a show about depression, I use the opera. If I want to do a show about greed, I use spoken word. If I want to do a show about the injustice that's taking place in the world, I might play Sam Cooke.
I wanted to show off - a simple impulse or drive; in much the same way as some kids wanted to play football, I wanted to show off. Not complicated in that sense, very natural; it just depends on how you want to show off.
The whole decision to do my show was that I was trying to "true up" my work life and my personal life and I wanted the principles in both of them to be the same. And the only way that I could think of to do that was to make a show about exploring cultures through food that demonstrated those principles with every story that we told.
I think the way the country has changed in part because of the presidency of Barack Obama, I think in part because of what we`ve - the violence that we have seen on our cell phones and our TV sets over the last couple of years. I think Black Lives Matter has helped to force these issues. Women like Sabrina Fulton. We`re having a different conversation in this country right now about race and what it means to really understand your experience is and my experience is.
'Freaks and Geeks' was my favorite show when it was on, by a wide measure. And that's the show I wanted to do. I noodled with the idea of doing a show about teenagers that told small stories, small moments of personal growth.
I never want to play a show where it feels overly programmed, processed, and all that. For anybody that comes to one of our shows, the goal for me is to make sure that's their show. That nobody else is going to see that show ever again. You know what I mean? I try to make it different every day.
When 'Drag Race' first began, it seemed like a fun window into an underground culture, but over the nine years it has aired, the show has evolved to reflect America's changing relationship to queer rights and acceptance.
Well, I think tone is very important with this show [Masters of Sex] because there are certain elements or certain aspects to the show that may be reminiscent of other shows. But, it really is a very new kind of show, in terms of the subject matter and the way it's being dealt with, and the fact that it's about real people and real events.
It's our approach to treat each show like an arena show. We over-invest in production to make the stage look bigger, turning the show into an experience and not just somebody standing around with a microphone rapping.
I wanted to quit the industry when I was eighteen and finish '70s', finish my contract on the show and go to college because I was pretty convinced that after '70s' and after being on a show for eight years that I would be very much pigeonholed for something specific that I didn't want to be a part of anymore.
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