A Quote by Will Arnett

When I was in my 20s, I wanted to go after dramatic roles, and I didn't have a tremendous amount of success with that. — © Will Arnett
When I was in my 20s, I wanted to go after dramatic roles, and I didn't have a tremendous amount of success with that.
I think that when I was in my 20s, I wanted to go after dramatic roles, and I didn't have a tremendous amount of success with that. I kind of backed my way into comedic parts. When you're young, you kind of take yourself seriously, and you think, like, 'People need to see what I can do.' And it's so laughable, especially with actors.
The great amount of fun that I have is I can cast dramatic actors to play comedic roles, and I can cast comedic actors to play dramatic roles because, really, there's no such thing. There's just actors.
I've always wanted to do all kinds of roles, dramatic roles and comedic roles, all kinds of roles.
I don"t feel like there are a tremendous amount of roles for the size I am.
Every press secretary faces an enormous amount of information. Events move really fast. You're responsible for a tremendous amount of information, and again, a tremendous amount on competing agendas. Not everybody grease in the White House.
It was never really one of my goals to gain tremendous amount of celebrity or make a tremendous amount of money necessarily.
I wanted to build up a little nest egg and go back to L.A. and choose roles that I wanted to do instead of roles that I had to do to pay the bills.
Past performance speaks a tremendous amount about one's ability and likelihood for success.
The American people get to express themselves, and in the ways that they choose. But I have got to tell you, I - this convention, I have sensed a tremendous amount of energy, a tremendous amount of unity, not around the personalities, but around the choice that we face in the fall.
I vividly remember being in my mid- to late-20s. That part of life is very emotional, and exciting, and dramatic in a way that your late 40s are not. That's different and dramatic in other ways, but I wanted to tap into that angry youth vibe in Kill Or Be Killed that I remember feeling at that time, instead of my angry middle-aged vibe that I've been churning out for a few years.
No amount of success - whatever that means, quote-unquote success - no amount of success replaces the reality of being separated from my family for this long.
Run toward the hardest problems. This approach has helped me to learn a tremendous amount from both success and failure.
After I got to Hollywood, I resented that I didn't get a crack at more dramatic roles because I photographed so beautifully.
I loved playing a dramatic role. There's a side of me a lot of people don't know, and when I do dramatic roles, it just all comes out.
After 'Champion,' I got like 20,000 psychopath roles! And they wanted me to strip and show my body in every film. But I have tried to balance my roles.
After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception.
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