A Quote by Will Arnett
I've always maintained that I don't think comedy should be reviewed. I think it's un-reviewable, because it is so subjective.
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On every film I do, whenever there are other girls my age, I think it's definitely up to me to set the pace. That's because I've had a lot of experience and I think there's always a certain amount of professionalism that should be maintained. If I was catty or whatever, it would just make the whole shoot unpleasant. And what's the point of that?
I always found the dramatic side of things easier than the comedy, because there's so many ways to do comedy, and it's also subjective. Someone might not laugh at what you do, whereas if you're going to do a dramatic scene, there's usually only one way you can do it.
Because I was familiar with Taika's Watiti work and there's a very subversive, funny streak amongst all of them. I don't think he turned [Hunt for the Wilderpeople] into a sort of drama, there's too much dark material underneath it for it to be a comedy; it wasn't designed to be a comedy. I think it's a comedy... I think it's a drama that's funny; which is different.
I have always maintained that it's not the quantity of work, but the quality that should speak. I have maintained the same for my music albums, too. I have always released them after a gap of two to three years.
I think you're always subjective because you always have a point of view, but I'm always sort of curious about what is the point of view I don't agree with. There is a truth in that because there always is.
Sound is often talked about in a very subjective way, as if it had a colour. This is a bright sound, this is a dark sound. I don't believe in that because I think that is much too subjective.
I think if you turn down the volume on the good comedy, you should not even know if it's a comedy or not. It should look like a drama.
I think that there's a fine line between comedy and drama. I think that ultimately, the less winking that's going on when you're doing comedy - and this is just my own thing, and maybe it's why I've never been hired in comedy except by Bill Lawrence - but I think that the less winking you do with comedy, the better off you are.
Loads of stuff that I've done has always had a hint of comedy. I did this show called 'Psychoville' that's a horror-comedy. Because I just think that's what life's like.
I think of everything as comedy, but I don't think of it in terms of sitcom comedy, I think of it in terms of Chekhov comedy. Chekhov called his plays comedies. There's always a mixture of a laugh with sadness. So the plie to the laugh is sadness.
Fashion is so subjective, and I think it should be playful.
I gravitate towards dark comedy, because I'm a huge fan of dark comedy. I always think the most painful thing that you can laugh at is the best.
You know what I think the guy who reviewed the live show for Pitchfork suffers from? Shy/asshole confusion. I'm not an asshole. I don't think I have to prove that to anyone, but I'm just putting that out there. I just think people should know that I'm not trying too hard. I think some people are just bitter that they ended up reviewing the show rather than playing the show, perhaps.
I think I'm one of those guys who was sort of always in comedy. I thought of myself - and other people seemed to think of me - as funny from a very young age. I was a very young comedy nerd and I even did sketch comedy in high school and college. I wrote and shot sketches on video and acted in them.
A rap is a tweaked version of comedy, because comedy came first. People weren't spitting before they were doing comedy. Comedy has been relevant for years. It's the same art form, pretty much. Discovering that and applying it, I think that has made my stand-up better.
Over the years, people have asked me, 'Do you think there should be a separate category for acting in the digital realm? Or hybrid sort of awards for digital characters?' and so on. And I've always really maintained that I don't believe so.
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