A Quote by Will Arnett

And I think that at a certain point, after all the time and all the conjecture and everything that had kind of gone on surrounding this show, I think that Mitch just felt like it was time to let it go. It was best for the show.
I think at a certain point we a little bit forgot that it was a pot show. I think I said something to Harry [Elfont], around Episode 7 [of mary and Jane], I was like, "We have a pot show. Nobody is smoking any weed." There is literally a shot in the season finale where everybody lights up at the same time. I was like, "I feel like we are not honoring our concept." It just became a show. It became a show about these two girls doing this crazy thing and getting into all these adventures and it was really not about the weed.
I felt a certain modicum of success because I had been paid well to be an actor for the first time in my life, but I felt like I had done adolescent work on the show, and stepping into the New York theater arena was the first time I felt like I'd come into my own. I felt like I was proving myself in a gladiatorial arena.
I think it's because if I have the time I take the time to sign every autograph I can after a show. I'll go out of my way when a lot of other guys wouldn't do this. Things like that create so much longevity in your career because that guy or girl you met that night will go home and talk about how cool Jeff Hardy was that night and then that makes their friends want to come out to the show next time you're in town.
I always felt like my future was at stake every time I stepped on stage and that was kind of hair-raising. At some point I just went, don't be frightened, you can't do anything wrong, it's your show.
If you had been a public figure from the time you were a toddler, if you'd had to fight for a life that felt real and honest and normal against all odds, than maybe to you might value privacy above all else. I have given everything up there from the time that I was three-years old. That's reality show enough, don't you think?
I think you just have to take everything that happens on a TV show with a grain of salt. You sign up for a show for six years having zero idea where they're going to go with the character, so you just have to get on the ride of the show and go with wherever they take you.
I grew up in a time where on things like 'The Red Skeleton Show' or even to a certain extent on 'The Carol Burnett Show,' people wrote in the breakouts or ad-libs. They were scripted to look spontaneous. So I always had a dislike of that kind of thing.
Television used to be made much more in a vacuum; the only feedback the audience had for a long time was in a Nielsen number that would arrive sometime after the show had been broadcast. And now, people are just completely engaged on so many levels, and I think that you have to find a way as a show creator to follow your own compass.
I was on 'Melrose' at a time where we had to all go home and be there at the same time when the show was on, or set your VCR. But that was a big thing, and people of my generation still talk about that. They remember where they were, at what point of their lives that show came, and then talking about it the next day.
I think it's time that we had a dad of Middle Eastern descent on TV. The time is ripe for the Middle Eastern 'Cosby Show.' Or, as I like to call it, 'The Mazby Show.'
I think that "Gilmore Girls" did so many things well, and it was a very feminist show in a time when that wasn't really being portrayed at all. The show made it cool to be a smart girl. That certainly wasn't happening at the time - you were surrounded by beauty shows and teen soap operas. "Gilmore Girls" felt very apart from everything else that was happening.
The ROH guys looking at the New Japan guys coming over, we're just psyched. We think, "oh great this is just going to make our show even better." The respect level with New Japan and ROH is at an all-time high. And anytime we get a company like New Japan Pro Wrestling on a ROH show, it just benefits our show. It has everybody all jacked up, ready to do the best we can like we always do.
For people who have done comedy after a certain point in time, I think there's a base level of, 'O.K., I think I'm decently funny.' But unless you just have some massive ego, I really think you're still fighting against that.
We'd been on Geffen for a long time, and I think we felt that we needed a change. I just don't think we felt very close to the people at the label after all this time or that they understood what we were trying to do. I don't have any regrets, because at the time we signed with Geffen, it was the right thing to do.
I think it actually makes more sense for a new audience than the old show did because we're focusing on one character at a time. It's all conjecture why somebody didn't watch, but one of the theories was that there was just so much information, even in the trailers and promos, of all these different people.
You did the best you could, the best you knew how at the time." It was something like that. From Oprah on an Oprah show. Then I believe my quote above was from Maya Angelou on the Oprah show, not Oprah herself. I had heard it before but it was on Oprah's show again 1-7-09 and she said Maya had said it.
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