A Quote by Will Cotton
There's something of a painting of a woman that represents all women - and by extension, all of humanity - that I just find very exciting. It's a nice distillation, I think, of what it means to be alive.
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The desert is a natural extension of the inner silence of the body. If humanity's language, technology, and buildings are an extension of its constructive faculties, the desert alone is an extension of its capacity for absence, the ideal schema of humanity's disappearance.
There must be a certain look of availability in the women I photograph. I think the woman who gives the appearance of being available is sexually much more exciting than a woman who's completely distant. This sense of availability I find erotic.
I'm very conscious of the idea of trying to each time present something that I haven't presented before. It's a challenge to me to find something new, to find something innovative, but it's also very exciting.
Donald Trump is a nice guy. He really is. Very personable. Sits there and talks to everybody. I'm happy. I like to see something new. I think it's exciting. He's got a great-looking family. His wife didn't look too bad. Not bad at all. This could be exciting.
I've always loved independent women, outspoken women, eccentric women, funny women, flawed women. When someone says about a woman, 'I'm sorry, that's just wrong,' I tend to think she must be doing something right.
I want to see women in pantsuits or two pieces, even something a little bit gaudy. It's so much more exciting than just another nice dress.
Luxury, by definition, means something that appears to be the best of whatever it represents. It's a word that raises people's expectations, whether talking about clothing for women or locations for people to live You pay for recognition, but probably the most important thing it represents is delivery on the promise of the brand's name.
Painting is an extension of man's means of communication. As such, it's pure, difficult, and wonderful.
I love to design for women, it's really open and very free. I always think of my friends. I think of both fictitious characters, real people from the past and the present. I am not a woman, but I find women so beautiful and so fascinating.
Well, painting today certainly seems very vibrant, very alive, very exiting. Five or six of my contemporaries around New York are doing very vital work, and the direction that painting seems to be taken here - is - away from the easel - into some sort, some kind of wall, wall painting.
By nice women . . . you probably mean selfish women who have no more thought for the underprivileged, overworked women than a pussycat in a sunny window for the starving kitten in the street. Now in that sense I am not a nice woman, for I do care.
I think the reason for my fascination with craft is what it represents, what it means in our culture, what it means in our history and in humanity. It was the idea that you could go to your butcher to get something, you could go to your tailor to get this, and you could go to your cobbler to get that.
'Fast and Furious' continues to be alive, which means 'Tokyo Drift' is still alive, which means DK is very much alive.
The smartest people in Indianapolis became teachers [during the Great Depression]. And, for once, there was something for women to do because teaching was regarded as a woman's profession, like nursing. So the smartest women in town - Jesus, my women teachers were so exciting.
Limited means often constitute the charm and force of primitive painting. Extension, on the contrary, leads the arts to decadence.
Something very ugly to you as a person can look beautiful through the viewfinder, but being able to find that beauty, oftentimes, means seeing the humanity within the frame. If you turn that off completely, you don't see at all.
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