A Quote by Will Farquarson

It kind of limits what we can call the albums. — © Will Farquarson
It kind of limits what we can call the albums.
Only God has no limits (except those he voluntarily imposes on himself). The mantra "no limits" is actually a call to idolatry.
I started running to different albums, and I was starting with the short albums and moving on to the longer albums. I was interested in how they built up, in tempo and intensity. it made me interested in albums again, too.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
I thought The Limits of Control could be interpreted in two ways: as the limits of one's self-control; and as the limits of allowing other people's control over one's - consciousness - which I kind of thought was a double meaning that was appropriate.
To have good farming or good land use of any kind, you have got to have limits. Capitalism doesn't acknowledge limits.
I kind of enjoy the limits. If you've got no limits, you can do absolutely anything, it's very difficult, actually. I always enjoyed working with machines like color photocopiers and letter-pressing type settings, things where the limits are very apparent. You push the machine to do something, and it tries to do its best, and it usually has wonderful qualities all of its own. Then you get a sort of dialogue going, and the limitations become qualities.
'Vol. 3' is the most pleasing of our albums to me. And I want to keep making albums that are different from each other. And you can bet all our albums will have that twist that only Slipknot can do.
First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.
There's not too many one-producer rap albums. There are lot of one-producer rock albums... and country albums.
Call them rules or call them limits, good ones, I believe, have this in common: they serve reasonable purposes; they are practical and within a child's capability; they are consistent; and they are an expression of loving concern.
I believe that all poetry is formal in that it exists within limits, limits that are either inherited by tradition or limits that language itself imposes.
There are limits to how much sound a cello can make. That's part of the framing of acoustical instruments. Finding what those limits might be, and then trying to suggest perhaps even the illusion of going beyond is part of that kind of effort.
I just think there's an awful part of rock-'n-roll music where people kind of pretend they're young all their lives, you know? And they kind of live off past glories. Especially now there's kind of a trend where people are performing only their old albums, in their entirety, beginning to end.
I give myself limits - not only financial limits, but I also limit my method of expression, and from within those limits, I try to come up with something new and interesting.
You had to form for yourself a lucid language for the world, to overcome the battering of experience, to replace everyday life's pain and harshness and wretched dreariness with - no not with certainty but with an ignorance you could live with. Deep ignorance, but still a kind that knew its limits. The limits were crucial.
I did albums for Cash Money. I didn't do singles - I did whole albums for Cash Money - and at the end of the day, I'm saying I wasn't paid for albums, so its like you're doing 10 songs, and somebody pays you for 1.
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