A Quote by Will Ferrell
On the set of an independent film you can tell that nobody is doing it for the money. Everyone is there because they love the script. A smaller budget sort of unifies everyone; it's a real team effort and that's amazing. But these opportunities just don't present themselves that often for me, so basically any chance I get to do something different I jump on it.
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I don't think I could ever have a desk job, so I get to be mobile. I'm on set. I get to walk around kind of doing my own thing, being independent - it's just a really good vibe. Everyone on a film set is very happy, and they all love their jobs, so it's a cool environment to be a part of.
I always try and tell dudes that are younger than me is that because of the Internet everyone can just be by themselves doing something, but the importance of a group is being able to have some sort of competition.
I prefer the smaller budget versus the bigger budget because the mentality that goes along with big budget filmmaking doesn't really suit me; the mind-set that money is the answer.
I love the energy of an independent film set. No one is there for the money. Everyone is there 'cause they really want to be there. It makes all the difference in the world. It's without ego and agenda, other than just wanting to fulfill a creative dream.
I'm lucky that I get to jump around, do a big-budget comedy and then a smaller film. I don't even make a big distinction between them. No one believes this, but it's the same. I'm the same person, trying to make it work. I just love being on a movie set. I like making movies.
When you're younger, everyone wants to be a point guard. Everyone wants to shoot fadeaway jump shots all day. Nobody wants to be a big man. Nobody wants to go stand on the block and just set picks.
The TiVo is really an amazing machine. Like everyone who has one, I totally recommend it. Just as everyone who's married will tell you to get married, and everyone who has a baby tells you to have a baby, everyone who owns a TiVo will tell you to get a TiVo, and they'll say things like 'Your life will be completely different.' It's true.
I will say this: the first film that I was on was 'In the Heat of the Night', that Norman Jewison directed with Sidney Poitier. I'm on the set, and I'm totally taking it for granted. Everyone is working for everyone else and pulling for the very best, and it makes everyone better because you feel that effort and concern and appreciation.
The model we established was to give creative people complete creative freedom in exchange for betting on themselves, so they work for the minimums you're allowed to work for, and if the movies work in a big way, everyone does very well. If the movies don't, nobody loses too much money. The benefit to doing all the movies low budget is we can tell different types of stories and take creative risks. The Purge would have been irresponsible to do for $20M, but to do it for $3M makes sense.
They will often tell me they can't love themselves because they are so fat, or as one girl put it, 'too round at the edges.' I explain that they are fat because they don't love themselves. When we begin to love and approve of ourselves, it's amazing how weight just disappears from our bodies.
I do like working on independent films where it is a smaller budget and less pressure. The pace is also quicker than that of a big budget film. You are shooting at a fairly fast pace. Sitting around for three or four days can be quite draining. So I guess in terms of film or television, I would say filming an independent feature.
When you're on set, you're like, 'Everyone's judging me because I'm the director, and everyone thinks I'm doing this because I just love myself and I want to do everything.' Part of it's true: I do want to do everything, and I do kind of love myself.
Photography was increasingly being seen as something outside the art world. As a sort of illustration. They just fired the director of photography at the Sunday Times Magazine - that's where everyone went with their photo essays in the '60s, '70s, and '80s. It was the place to get published. It is an issue. And I feel it. There's no budget. The budget-holders are very often people who've been to the professional colleges where art is not taught. So art as a part of education is something that's missing - since Thatcher's day, anyway.
Each photographer has their own vibe and presence that they bring to their shoots. Steven Meisel is a teacher. He teaches everyone on set something about their craft. He has an amazing way to bring out everyone's best in themselves.
I just wanted to finally release something that sounded really fun, and 'Must Be Love' is that song! I'm telling you, I went to the Philippines and sang that live for everyone, and everyone was singing along, and I thought, 'Wow!' Everyone was singing this song back to me because everyone loves love.
Everyone has a salary. Everyone has hopes and dreams for where they can invest their money. Everyone wants to do the best they can with it, and they don't want to be subjected to any sort of predatory lending.
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