A Quote by Will Ferrell
Handling a painful situation in a comedic way is truly the funniest. That is extremely real to me and not kind of clownish. There is a thin line though; you can't overdo it.
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I felt that I'm a real important part when it comes to hip-hop, but maybe not so much in the industry, so I felt that I was better of in an independent situation... where I have some control over my life and there's no middle man and it's basically me and my team handling my situation.
The embarrassment of a situation can, once you are over it, be the funniest time in your life. And I suppose a lot of my comedy comes from painful moments or experiences in life, and you just flip them on their head.
I started realizing that one of the great things about opera is that if you make the right kind of story, you can still have this kind of abstract subliminal quality to take you on a journey, but you can root it just enough in a particular situation, a particular kind of real situation that a person might have, or a particular context in the real world.
You know when people overdo it... and their breasts are way too large or they overdo their face, I mean, that's what gives plastic surgery a bad name.
It is just as painful to me when I do poorly. If the fault is all mine, that's what's painful. If it's a situation where no one could have succeeded, I don't feel as bad.
The expression I use: Pain + Reality = Progress. Whenever I would have a painful mistake, I started to view that as puzzles that would give me gems if I could solve the puzzle. So, it made me thoughtful - what should I do differently next time? That was the puzzle. And the gem was some principle for handling the same thing when it came along again, and then I would write it down. And by writing it down and referring to it, and also being able to show it to other people so that we could agree that that was a good way of handling that thing - that was very, very powerful.
I guess what I'm trying to say is that writing is mysterious; you don't ever truly know where it is coming from, so don't edit yourself line by line. Don't get in your own way. Whatever is truly there at the core, that is your voice.
What modern art means is that you have to keep finding new ways to express yourself, to express the problems, that there are no settled ways, no fixed approach. This is a painful situation, and modern art is about this painful situation of having no absolutely definite way of expressing yourself.
I've never done anything comedic. In all the years I've been an actor, I've never delivered one comedic line.
She [Hillary Clinton] was extremely careless with handling national security information.If she were just an ordinary person, she would be denied a top security clearance because she has proved in her past acts that she is extremely careless in handling national security information.
I stared at the creased map on my wall, the thin green line connecting all the places I had read about. There they were, all the cities of my imaginary future, held together with tape and marker and pins. In six months, a lot had changed. There was no thin green line that could lead me to my future anymore. Just a girl.
I'm a real people pleaser, and for a while I was really desperate to make a kind of thing that would satisfy everyone, and I realized I was focusing so much on satisfying everyone else that I'd forgotten that the only real way to make anything true is to focus on making what you want to hear and saying what you want to say. Trying to people please with my art was a direct line to complete meltdown, writer's block situation, and I had to look inward before I could move past it.
All of the films I have made, that I have chosen to make, are all about the thin line between good and evil. And also the thin line that exists in each and every one of us. That's what my films are about.
I have a lot of funny friends, though not everyone's funny all the time. Doon Mackichan's my funniest friend in the pub; Nina Conti's the funniest with a monkey.
I think the feature reporter often walks a very thin line between a truly human story and one that slops over into mushiness or sentimentality.
There's a bit of hazing when it comes to the youth performers and a disbelief that you're capable of handling dramatic or comedic material on an adult level.
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