A Quote by Will Ferrell

I think you can't do any action without in some way paying homage to John Woo. He's the guy who just invented that sort of next level of poetic nasty action. — © Will Ferrell
I think you can't do any action without in some way paying homage to John Woo. He's the guy who just invented that sort of next level of poetic nasty action.
Relationship is action, is it not? Action has meaning only in relationship; without understanding relationship, action on any level will only breed conflict. The understanding of relationship is infinitely more important than the search for any plan of action. The ideology, the pattern for action, prevents action. Action based on ideology hinders the understanding of relationship between man and man.
The way I see it, if you're going to make an action movie, you've got to make one with John Woo.
In 'Windtalkers,' the director John Woo is meticulous in melding his own intimate style into the cliches of a large-scale war movie, paying homage to all the tired conventions of the genre. But it's an honor that these cliches don't deserve.
[Action's] a Western thing. We think of the hero going into battle, rebelling against a government or an oppressor, but [in KUNDUN] action is nonaction or what appears to be nonaction. That's a hard concept for Western audiences. . . . We wanted to show a kind of moral action, a spiritual action, an emotional action. Some people will pick up on it; some won't.
The curse of me and my nation is that we always think things can be bettered by immediate action of some sort, any sort rather than no sort.
Honestly, when you think of any great action hero or any great hero out there or great character actor, you kind of transcend the character. You just don't love the character, you love the guy. In any of the great action stars, you see the guy doing the work.
I feel Vidyut is a next-gen action hero who is extremely professional and a hard worker. I think he is the most sought after action king, because I really loved the kind of action he has done.
I try to stay away from stuff that's just action, action, action, action, action, and you kind of fast-forward through the dialogue scenes. I'm not interested in doing that. Give me a reason to fight, and I'll go there. But don't just make it, 'You touched my pen! Haaa-yah!' I've done that before.
Buddhists have a long-standing tradition of believing that at some level we always know what the best course of action is in any given situation. We just have to be quiet enough to let that course of action present itself to us. And we need the confidence to act when life shows us what we need to do.
Instead of looking on discussion as a stumbling block in the way of action, we think it an indispensable preliminary to any wise action at all.
Action is a great restorer and builder of confidence. Inaction is not only the result, but the cause, of fear. Perhaps the action you take will be successful; perhaps different action or adjustments will have to follow. But any action is better than no action at all.
Vision without action is merely a dream. Action without vision just passes the time. Vision with action can change the world.
Then, if action is possible or necessary, you take action or rather right action happens through you. Right action is action that is appropriate to the whole. When the action is accomplished, the alert, spacious stillness remains.
Aside from a couple of signature flourishes, there's nothing to mark Paycheck as the product of acclaimed action director John Woo. In fact, there's little about this movie that makes it worth anyone's time and money. With a script that waffles between being hilariously absurd and insultingly stupid, and action scenes that won't cause anyone's pulse to skip a beat, Paycheck is less appealing than a lump of coal in a Christmas stocking.
'Alias' was very action-packed. 'G.I. Joe' and 'Conan' were very action-packed. It's been established that I can do action, which is great, but now I may just want to make out with a really hot guy.
Action shouldn't just be seeing all those crashes. You can blow up a cathedral; next time you blow up the Great Wall of China, and then what? But when you're in love with your characters, the smallest action becomes an important action.
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