A Quote by Will Gluck
I don't like having characters as props. I never want a character to be a prop.
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"It is necessary to be given the prop that all elementary props are given." This is not necessary because it is even impossible. There is no such prop! That all elementary props are given is SHOWN by there being none having an elementary sense which is not given.
There's this group online that I frequent. It's a group of prop crazies just like me called the Replica Props Forum, and it's people who trade, make and travel in information about movie props.
I don’t mind if the character is a small character, but I would just like her to have a journey in the film. Sometimes the characters are just there as a prop to further the man’s story. The great directors I’ve talked to, I’ve said listen, I don’t mind playing a woman that is a tiny part, but how does the story affect her? What can I play in the end that’s different from the beginning? Otherwise, it doesn’t make sense, because it’s just like being a prop.
I like to add props to render the specificities of place - paintings, food, clothing, signs, infrastructure, music, sayings and slang particular to the region and particular to the character. And props shouldn't just sit there; they should get used.
Actors always loved props and-so instead of a hat or an umbrella, they feel really comfortable with a cigarette as a prop.
I don't like to have to depend on someone else to reset the props. It's like, "No, you've gotta take responsibility for it." I know how things fit and feel. To reset that stuff myself, it's easy. The prop guys are hilarious because I'll have one set of gloves and I'll keep reusing them to get the most out of it. They're like, "We've got boxes of these."
If you want to have great sex, find a partner who really turns you on. Pills are merely props, and props can turn out to be a big drag.
I like playing a variety of characters. I feel like I've been able to play different kinds of characters - I've done a lot of period pieces - but I've never had to play the same type of character too much.
I was curious. Here was a character where I just didn't know how they were going to write him into 13 episodes without it being one note. My fear was that I didn't want to join something where I was just going to be this prop and this mustache twirling character.
I am a comedian but it's usually not a compliment to be called a prop comedian but I guess I sometimes use props. And I always confuse humorist with comedian. That's strange.
I guess I've just gotten to the point where I don't want to be bored by the characters that I play, and I don't want to feel like I'm having to make something more interesting or I'm having to force something that's not really there on the page.
The writer must always leave room for the characters to grow and change. If you move your characters from plot point to plot point, like painting by the numbers, they often remain stick figures. They will never take on a life of their own. The most exciting thing is when you find a character doing something surprising or unplanned. Like a character saying to me: ‘Hey, Richard, you may think I work for you, but I don’t. I’m my own person.’
I wouldn't be able to tackle a character like Rosalee on 'Underground' without having tackled the many characters I've played before.
People say that they like the characters that they believe that I am. But, I don't as much. I like the characters that I believe that I am not. Like my role on 'Law and Order.' That character unnerved people. And I loved every second of it. I want to continue growing as an actress. There are ways that I can reach quicker, or deeper, with acting.
When I'm looking for a strong female character, or a strong character at all, I'm looking for a character that has a purpose in that story, that has an interior life of some sort. They don't have to be physically strong; they don't have to be morally strong or ethically strong, because men and women come in a huge variety of all of those things. Emotionally, ethically - I'm less concerned with that. I just don't want them to be props. That's the only thing that offends me.
I want to play so many different characters. I want to, like, understand so many different people, and psychoanalysis, everything. I love that about my job: getting into the character and understanding it and doing the psychoanalysis and creating that character.
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