A Quote by Will Kimbrough
I look for something universal in songs rather than something personal. I look for something that will give us a platform for live improvisation.
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Non-custodial sentences are certainly something to look at, more support in the community rather than within prisons is something we have to look at. There will of course still be women who need to be in prison, serious offenders, but I think there is scope to look at that number and I think that number could come down.
It'll be basically a live album, but it will also include songs, Judas Priest songs, the audience have never heard before, because we felt we wanted to give the kids something else, something they haven't already bought.
I think that one of the most important things that art can do is give you a reason to look at something, almost give you permission to look at something.
Give us something else; give us something new; for Heaven's sake give us something bad, so long as we feel we are alive and active and not just passive admirers of tradition!
Never look back to the past, never regret, even if there is emptiness ahead.' But I couldn't help it. Sometimes I would rather look back if it meant that I could feel something in my heart, even something sad. Sadness was better than emptiness.
Living Things. The garden can be as unlimited a resource as you want it to be. It's an escape from everything if you just want a break. It is something to do with living things, not a static piece that you put there and look at but something that changes every day. You're committed to it. If you don't look after it, it dies on you. And if you do look after it, it will give you rewards - pleasure, and a feeling of achievement. There's a sense of responsibility developed in a garden.
As an athlete, our platform is so high. A lot of people look up to us. So if they see us doing something positive, it can change the world.
The mythology around colorblindness leads people to imagine that if poor kids of color are failing or getting locked up in large numbers, it must be something wrong with them. It leads young kids of color to look around and say: "There must be something wrong with me, there must be something wrong with us. Is there something inherent, something different about me, about us as a people, that leads us to fail so often, that leads us to live in these miserable conditions, that leads us to go in and out of prison?"
In design I look for something I'm drawn to. I try to look for an immediate connection with something - something I just fall in love with. I feel if people have to explain to you why it's good, it's not so good.
There is a profound injustice at the heart of the American economy. You look at the media and realize that these corporate-run commercial entities are failing to give Americans the information they need to make informed choices. You look at the food we're eating and the obesity epidemic and realize there is something fundamentally wrong about our nutritional habits. So across the board there is something fundamentally unjust about every aspect of our personal lives.
My drive to put myself on the line comes from boredom. From that feeling when you go to bed and think, 'What did I do today?' It doesn't have to be something monumental, just a feeling that you really tried to look at something, or look into something.
But you know, I really like to present the songs on an album as a story, as something thematic, rather than something you'd put on a random shuffle.
The belief when your mother gives you away is that there's something deeply wrong. Mothers don't give babies away. There's something wrong with me, something unlovable, something seriously flawed in me. It's a fundamental thing; it's precognitive. You feel it rather than think it. How could you not?
A lot of times, you design a logo to be timeless, but with something like the Olympics, timelessness is maybe not something you should be going for. Maybe you should be trying to come up with something that will really become associated with a moment in time, a few weeks, that happened, period. Then you look back, think about it and connect it with that time. It may look dated later but it will be still be evocative.
At the end of the day, I'm still an African-American woman in a male-dominated industry, so sometimes you have to deal with people not taking your ideas seriously. But I look at it as, I'd rather have adversities in something that I love than doing something that I hate or where I am not interested.
I will look through 200 photographs of Kate Moss and there will be just one that I connect with for some reason, maybe because of the composition or something in the eye... Something touches me and I know I have to paint it, in the way a child knows it wants something.
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