A Quote by Will Oldham
A record is something that isn't real or true. It's like cinema. It's a construction of something hyper-real and surreal and unreal all at the same time. You make a space that doesn't really exist. One of the big joys of being in this line of work is building the recorded versions of the songs.
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Time doesn't exist. It doesn't exist in any way. It's more subjective than real. Time doesn't exist. I believe in memory. Memory is the real inspiration. Memory creates time. Memory is pure power. Pure power and pure strength, and pure utilization of space and time (if time is something we can really ever label). But I don't believe in time itself.
Every record has been very different, so I can't really compare them. The first record was good. I originally recorded about half the songs on that one in 2003 or something, and then I went back a few years later and re-recorded them and added some other songs.
Often people think they know what they want, but what they really want is something that's genuine. So they'll be saying, "Do another one like that," but you liked that one because it's real. So as long as I keep it real and I do something that's real to me, you're going to feel it in the same way.
I also don't like to make really big records, because I feel then that the songs don't get enough space to be themselves, so I would never want to make a record that's like seventeen songs.
My artistic goal was to write something that's one hundred percent real and true to me and to this world. I tried to touch on truths that really connect with people from every avenue of life. Ultimately, when you write from a vantage point of faith, humility and openness to the world around you, people have to respond because those same truths are instilled in them. Honestly, I don't have any agenda other than being sincere, real, and passionate about these songs and the music I make.
Illusion doesn't mean that something is not real. Illusion simply means that something is less real than something else. This life and this world certainly exist - who is to say the reality of the dream is not real?
When I wrote my fictional novels, they always had a starting point of something real. Those images that are not real are exactly the same strength and power of the real ones, and the line between them is completely blurred.
I make up stories that take place in real space with real people. If I could convert this into a technique for experimental novels, I might really be onto something.
I don't think any of us felt like, "Oh, we need to put joke songs on the record." If we found something funny, we would record it, and if we wanted to, we'd put it on the record. It's not really something we spent too much time agonizing over.
I remember queuing around the block in Sheffield when I was growing up. At that time, going to the cinema was really something special - there was something about the style of the real thing that is immeasurable nicer than multiplexes.
Living consciously reflects the conviction that sight is preferable to blindness; that respecting the facts of reality is more satisfying than denying them; that evasion does not make the unreal real or the real unreal; that it is better to correct your mistakes that to pretend they do not exist; and that the more conscious you are of facts bearing on your life and goals, the more wisely and effectively you can act.
Logic, too, also rests on assumptions that do not correspond to anything in the real world, e.g., on the assumption that there areequal things, that the same thing is identical at different points in time: but this science arose as a result of the opposite belief (that such things actually exist in the real world). And it is the same with mathematics, which would certainly never have arisen if it had been understood from the beginning that there is no such thing in nature as a perfectly straight line, a true circle, and absolute measure.
Every so often I'll go back down to earth and I'll make reference to a phone or a house or something, something that's a bit more real. But I suppose what that does, is it puts you in a surreal place but also my music doesn't get too carried away in that sense, which I quite like.
My fear is we're not teaching competition. We're shielding people from it. For the longest time children, you know, nobody's allowed to win anything, participation trophies. But when you get to real life and if you really want to amount to something, when you get whatever line of work you're in, as you get to the top of that line of work, there are very few people there.
I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
I definitely write about a lot of dreamy, surreal stuff. I do end up going to a surreal world with my music, but I also like the idea of there being really real stuff as well.
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