A Quote by Will Packer
You want people to go see it by the hoards. And for there to be talk of the possibility of continuing the journey and the ride, if you will, with these characters that we spent so much time honing, and executing this film on all levels, is super exciting.
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It's really exciting to be in a film that people actually want to go and see! I was having to pay people to see my movies!
I think sometimes people become quite emotional about the characters as well, and that's pretty cool that you can get that emotion out of people. And I think that's more my motivation than like, "Hey I want to be the funny guy, I want to be that famous funny guy." That doesn't sit as well with me as the idea of taking people on this ride and taking them into the illusion of the characters. That's much more exciting for me.
I spent a lot of time quasi-fascinated with characters who were super-dumb and super-cocky. I always liked that combination.
On so many levels, acting in film and TV is so much the sum of its parts, and somewhere in there, there's an alchemical thing that makes something happen or not - that makes something connect or not. Now, of course you want to make work that people see, but the enjoyment I get out of acting is playing characters.
The truth is, I just don't have that much time to see movies. So if I get two hours where I can actually see a film, I don't want to go backwards, I want to go forwards.
What interests Sam Mendes are characters and relationships, and he was a genius at giving you the freedom to create the type of character you want, and also to explore and have fun with your fellow actors. For him, characters and relationships are really the heartbeat of the film, and then the action is the backdrop. By developing the characters, he makes you care that much more about the action and going on a journey with the characters.
After making the 'Occupy' movie, when you finish watching the film, you want to take a hot shower. You want to go home and shower because you've just spent an hour and fifteen minutes with the greasiest, dirtiest people you will ever see.
Film is very much about capturing the essence of things - if you feel it, and you've got the right person shooting it, it'll come across. Theater's a different animal; it's physically different and requires a different discipline. In the theater, you're mining the same material, constantly honing the same thing, executing it and keeping it alive and fresh.
Something that can happen when you enter the world of being an actress is that people see you one way and have a really hard time using their imaginations to see you any other way. I would be completely satisfied if I could go the rest of my life without being super-huge and super pigeonholed - I would love to play different characters the rest of my life.
I feel that the thing about film and particularly about TV, actually, is it's being created now. We're living in the best time so far because there are many more women writing and women directing, women producing, and people are finally catching on to the fact that women want to go and buy tickets to see female characters and more than one in a film. So I actually think it's a very fertile time to be a woman over 40.
I am a huge sports fan and spend a lot of my time away from work watching sports, going to sporting events, stuff like that. So it is a big thrill to see these people who I have so much respect for and to find out that they're all really fun, super-nice people. It's very exciting.
I love characters that are going through turmoil. To be honest, I love characters with conflict. I love characters who are really going through an emotional journey; whether it's a super-dark-crazy journey or a really relatable guy.
With peaks of joy and valleys of heartache, life is a roller coaster ride that's both scary and exciting at the same time - the rise and fall of which defines our journey.
What an exciting super-tomorrow it will be! Americans are today making the greatest scientific developments in our history. That is a promise of new levels of employment, industrial activity and human happiness.
When I'm creating characters, I just want to create characters that I can relate to, and be as honest about them as people as I can be. That's what I want to see when I go to the movies.
Film is subjective, and we must be careful with that. The kinds of films I love are those that observe, and I give possibility for people to talk. No need for me to tell people what to think - even when I make a film like 'S-21.' It's only one point of view. It's still a film; it's not a tribunal.
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