A Quote by Will Packer
I never want someone to come out of one of my films and say, "Damn. I wasted an hour and a half of my life." I'm trying to avoid that.
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I wouldn't waste a day, not an hour, not a moment. Take what you want and damn caution. Live, enjoy. Feed ravenously. Or the biggest regret you'll have at the end of your life is wasted time.
Joel Lane documents a life we don’t quite live, in a city we can’t quite find: half glimpsed and half imagined, we know it’s out there somewhere. Waiting, maybe. Mixing fear with desire, reputation with regret. Touching the blood-beat of our secret hunger with the rhythms of a music that never felt alien till now. Wasted lives, with never a wasted word. It’s an extraordinary achievement: vivid as neon, real as rain. Devastating.
Life is hard, and a lot of people come home tired from work. If they're gonna spend half an hour reading, they want some entertainment and a sense of achievement. So that's what I give them. That's all I'm trying to do. Is that really so wrong?
We want to see a struggle. We want to see people falling over but getting themselves back up on their feet, and that's what's extraordinary- ordinary people and their struggle. There's nothing as interesting as real life out your window. You walk down the street for half an hour, I'll give you half an hour of drama.
Even in fine-dining restaurants, you have people that say 'I want to be out in half hour', 'I want to be out in 45 minutes.' It happens.
I do want to say things in these films. I want audiences to come out with shards stuck in them. I don't care if people love my films or walk out, as long as they have a strong response.
I know half the money I spend on advertising is wasted, but I can never find out which half.
I am so picky about what films I get myself into because it's such an explosion of energy and commitment once you get in there, you destroy your life until you deliver these films. I never want to be in the position of making films that won't be a great use of 90 minutes of someone's life.
I can remember times coming home from a chess club at four in the morning when I was half asleep and half dead and forcing myself to pray an hour and study an hour. You know, I was half out of my mind-stoned almost.
At least half my writing time is spent researching. So for every hour I'm actually clicking on the keyboard, I'm spending another hour trying to figure out some tiny detail I need answered.
Every time you want to reset your set and pull walls out and reset the lighting, you're burning up half an hour to an hour, and when you're trying to keep to a schedule, you're constantly having to reassess what's worth it and what you're going to have to give up in order to keep on schedule.
Today, they make films where you have to sit for an hour and a half and watch somebody in the process of dying and, for me, that's rather depressing. Films, in the good old days of the golden age of Hollywood, used to want to inspire people and give them uplift. You're paying good money to see a film, and you don't want to leave depressed!
To study the meaning of man and of life — I am making significant progress here. I have faith in myself. Man is a mystery: if you spend your entire life trying to puzzle it out, then do not say that you have wasted your time. I occupy myself with this mystery, because I want to be a man.
Although we do come from a silent profession, it is important for us to verbalize what we want to say. (As I tell my students): you could love someone all your life, but if you never say it how are they going to know? There comes a point when you have to say what you mean, which makes you scream louder when you dance.
I'm never late, and I love that. Because when you've got three kids and a life to be living, and somebody's half an hour late to set, you start to get a little bit like, 'Come on. Come on, let's get this done.'
It's more about when you come back from being out somewhere; in a minicab or a night bus, or with someone, or walking home across London late at night, dreamlike, and you've still got the music kind of echoing in you, in your bloodstream, but with real life trying to get in the way. I want it to be like a little sanctuary. It's like that 24-hour stand selling tea on a rainy night, glowing in the dark. It's pretty simple.
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