A Quote by Will Patton

I can't play anything until I find something that connects to my life, something I can carry as my secret map or code for the character. — © Will Patton
I can't play anything until I find something that connects to my life, something I can carry as my secret map or code for the character.
I think the best way to find out about something is to try to do it to the max. A lot of people take up a hobby or sport and then find an excuse not to carry on with it. Once I start something, I won't stop until I'm as good at it as I'll ever be.
I think it's a really admirable thing to be very sure of your own moral code and not waver from that. If you're sure of your moral code, your moral code is personal. Something that I admire about my TV character is being unapologetic and knowing who she is. That was empowering to play.
I have always had an interest in performers who play against the most obvious of expectations and are able to find something secret, something withheld, and some level of restraint.
I am looking for a character that connects to me on some level. It has to be about something, it has to have depth to it and it has to be about something. The story of the character and their relationship with the people and places around them appeal to me and are what I look for.
Start where you are-do anything you can do, and do everything you can do, until you find something you must do! That something is probably your spiritual gift.
I think it's necessary to identify with anything - with any character you play, there's got to be something in common, so you can link up to that person, even if it's like one tiny thing. But it's equally fun to play somebody completely different, and trying to find what that thing is to make it.
If you're lucky you find something that reflects you, Helps you feel your life, protects you, Cradles you and connects you to everything.
I don't really try to judge any character that I play, afterwards I figure it out, but while I'm working on the character, I have to find something in them to relate to.
I try to find something in everyone that I play - even the most heinous ones. You have to find something that is real and vulnerable about everything that you play.
I find it really hard to throw myself into something artistically where I'm making up a whole character and finding something for that character to do.
There's something to play if there's conflict going on. Whatever that conflict is, that's where drama is; if the character is grappling with something you've got something to play, there's layers to it.
Whatever character you play, whatever film it is, whatever story it is, for me, in my training it's always something that gives you a layered character, it's understanding the secret of that character, and so whatever comes up as "Oh, I thought that person was that," you are always carrying that within you. So actually what you're playing all the way through is both and it's just what comes out in the scene or the circumstance.
Writing is something warm and dependable to snuggle up to when everything else is in flux. It's a little secret that you carry with you in public - the knowledge that you alone have the ability to escape to a wonderland where you can make anything happen.
I think from an actor's point of view, you always want something to play that's dramatic or something that feels like it could be very bold in choice. And of course, the boldest possible choice you could play at the end of a character's life is death.
I kind of 'code-sketch,' where I get started with a project by actually writing the code for it and getting something up on the screen. Then I play around with it and see if it's any fun and change the parts that aren't.
The secret of life is to have a task, something you devote your entire life to, something you bring everything to, every minute of the day for the rest of your life. And the most important thing is, it must be something you cannot possibly do.
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