A Quote by Will Poulter
The thing I get a lot is, 'You've got a very recognisable face.' I'm never quite sure what to make of it.
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The most important thing we can do is to make sure that we've got very high standards, we expect a lot out of all of our young people, and we make sure that we have the best teachers possible in every classroom.
I enjoyed India a lot. I learned a lot and came face to face with the poverty there, which is very, very tough. One thing's for sure: I no longer have the right to complain about anything. That's impossible now. But I discovered a beautiful country, fabulous and very welcoming people, and the local cuisine.
When teams are crowded in the paint, it's very hard to get in there and penetrate, but you got to find ways to get into transition and get into your strengths. It's a lot of thinking out there, you got to make sure you think and strategize.
People are very reluctant to invest unless they know it's going to be a sure thing, and let's face it: film is never a sure thing.
It's tough, when you play an iconic character, to break away from it. You have to make sure you have a lot of variety and make sure you choose roles that aren't similar to others, or else you get pigeonholed as one thing.
With abstract work, I never was quite sure what it was that felt right about the painting, but I did know that I responded to it and I liked whatever it was offering me. That's something that seems to happen as well when I'm writing, where maybe things that don't necessarily make a lot of logical sense are put together, and yet we struggle to make sense of these things somehow. I'm not quite sure why that is; it's something about human nature, I guess.
I think you can be politically incorrect, but there's some responsibility with that. You've got to make sure that you are not condoning or bolstering any racial or other stereotypes. You've got to be free to make jokes, but just make sure...you don't want to go and black face somewhere to just prove a point. If it's insulting and offensive just for the sake of it that's problematic.
Going out is the typical thing when you turn 18, but it's not really much fun when you have a recognisable face.
you never know which thing you do is going to turn out to be important. I'm sure we've all done very small things that had very great impact and very big things that didn't make any difference. So, create the means that best reflect the ends we want. Try to make each moment authentic, and you'll get to an authentic end.
I figured, when I make a movie, especially earlier in my career, one thing I was going to make sure was that the movie doesn't cost a lot and that it has potential to make a lot of money. That's how you get respect in Hollywood.
Change is a funny thing. We never are quite sure what we are becoming or even why. Then one day we look at ourselves and wonder who we are and how we got that way. Only one thing about change remains constant...it is always painful
If you want something bad enough, you've got to make a bold move. Just make sure you clear the bold move with the people whose lives it's going to affect. Like George Washington, had to get all those guys who the British killed to agree to die. Neil Armstrong, had to crank a couple of elbows into Buzz Aldrin's face mask to make sure he got on the moon first. And Christopher Titus, well, he worked his dad for five grand. Ha ha. Who can't support who ? I know, it's complicated.
I want to make sure that teenage girls know that if you decide to keep your child, you have to get an education. You have to have a plan A, B, and C. Make sure you have a good support system. If all those things are not in place, it's going to be very, very hard - very, very lonely.
My own rapping skills are quite good, actually. You get this thing, I think it's called Songify or AutoRap, and you talk into them, and they auto-tune it and make it into a quite interesting musical number. And I got one where it builds it into a rap.
Actually the royal family were very gracious and good to me. But I also found that the British establishment were never quite sure what to make of me. I was a Labour figure, but I'd come from a very middle-class background. In one sense I offended both traditional right and traditional left. But I thought that was no bad thing.
In some respects I'm quite easily led, so I have to make sure I've got my own space, and that I feel comfortable in my working environment. It's very important for me to work with the right collaborators, as I can easily get led into a corner where I'm not comfortable.
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