A Quote by Will Poulter
I am very much a city boy, and I really don't get out into the countryside or the wilderness that much at all.
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I am from the countryside, very rural countryside, and I moved to Tokyo when I was 18 and have been living first-ever since. So yes, I am a city guy, but sometimes I sort of feel there's another me in a parallel world, still in the countryside.
When I am directing, it is much, much, much, much, much different. I'm a much more practical person in the world, I show up on time, I am very rigorous about scheduling, and I am very focused. But when I'm writing I am just a big, irresponsible mess and I'm just impossible to get in touch with, and I don't spend time with friends.
It was ironic that there I was finally painting the pictures I'd always wanted to paint and feeling very much at home in the countryside, and I ended up working in New York City, which is definitely the archetypal city.
London is not a healthy place. I feel much healthier when I'm living in the countryside or, indeed, anywhere out of London. When I go back to the countryside to visit my mother, I get out of the car, and suddenly there's great wafts of fresh air.
Am I happiest on the farm or out in the middle? I am a cricketer, but the farm is a very special place and I absolutely love being in the countryside and getting away from the bubble. I like to think I'm a farmer, but there's so much experience that goes into that.
[London is] one of the best cities in the world. There is just so much culture there and so much history and so much diversity. It's just a perfect place to grow up. I studied at the Guildhall every Saturday so I'd always be in town every weekend doing that. I was kind of a city boy really.
I'm still very much a West Virginia boy. I haven't forgotten my roots, because that's really who I am.
'I don't need very much now,' said the boy, 'just a quiet place to sit and rest. I am very tired.' 'Well,' said the tree, straightening herself up as much as she could, "well, an old stump is good for sitting and resting. Come, Boy, sit down. Sit down and rest.'And the boy did. And the tree was happy.
I try to balance work and play. I'm really grateful that I can kind of have that philosophy, so I can try to get out of the city as much as possible, even though I love the city and I'm not ready to leave it.
I've spent most of my life in L.A. and I'm still amazed at things that I don't know about the place. There are a lot of places I've never been to yet and I may never even make it. There's so much here and there's so much of a variety in terms of culture now. It's amazing. It's all here in one big city. In a lot of ways, the city is unique in the world because it's hard to find another city that has the diversity and range. It's a microcosmic planet, if you look at it that way. And in that sense, it's very much an experimental city.
I'm a very lazy person, so I don't really do things or go out very much, but when I do get out of the house, I do get recognized a lot.
It's just as easy to be lonely in a city as out in the wilderness. Easier, really. It's harder to get to know someone when you meet in a crowded place. People can freely ignore you in the city; they can assume they don't have any responsibility for you. When there are fewer people, (...) they begin assuming some kind of responsibility, simply because you naturally do the same.
Things are so busy and so quick, and there’s so much going on, you have to realise the time when you have to take a step back, take a breath and really think back to where you come from. I’m from a very, very rural place. There’s really nobody out there, just roads and farms. I had a long transition to get to where I am now. I moved away when I was young, when I was about 19. I’d literally come from an area with dirt roads and stuff like that, right to the centre of a city of about five million people. It’s been great. I’m based in New York and every day it's amazing.
Delhi is a very maligned city, and deservedly so. Yet there's something about it. It's a secret city, it doesn't hang out its wares. It's like a very deep river. Floating right up on top are the institutions of contemporary power: government, politics, media, and then there's the bureaucracy, the diplomatic missions. But it's also the city of intellectual debate, of protest, it's the city where people from all over the country converge to express their anger. And then, underneath all that, there's this crumbling, ancient city, a confluence of so much history.
You just try and do as much variation and as much difference and as much as possible, so you put yourself out there to try anything, really. As long as you feel you're going to get something out of the experience, it's all worth it.
I think in Japan I think there is a lot of style and a lot of subcultures, but it will be interesting to see how much of them... how much of the people wearing those clothes are really expressing something about who they are or who they want to be and it will be very interesting to see, especially once you get there, once you get to a certain city like in Stockholm you really get to know the people a little bit and what they're saying through their clothes. It's more... To me I think it's much more interesting than just the clothes they're wearing or the length of the skirt.
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