A Quote by Will Poulter

One of the challenges obviously with doing an accent from a time period early in history is that there aren't recordings. You would never really get the opportunity to hear exactly what you were shooting for.
I think in the early part of my career, the roles were so disparate that it never gave anybody an opportunity to understand my essence and what I would be good at doing, as opposed to what I would not be good at doing, so these little moments of beautiful things that were happening to me were consistent, but very few and very far between.
Early on, people told me I was making Chinese people look bad. I've been living with this accent. I had already been doing standup for a while. I knew my voice already. I myself never wanted to make my accent the butt of the joke. I never want it to be, 'I'm laughing at your accent.'
Because I'm Irish, I've always done an accent. Not doing an accent is off-putting because I sound like me. I love doing an accent. Doing the accent from West Virginia was great, and we had to get specific with it.
Acting for me was hard enough without having to think of the accent. And also, when I was auditioning for stuff I would walk into the room with an Australian accent, and I would do the audition in an American accent, and they would invariably say, 'Yeah, it's that good, but I can still hear the oddity coming through.'
The idea of doing a period movie, some people say, "Isn't it odd that you're doing a period movie? That's a change of pace for you." And, I'm like, "Not really." When you're doing a science fiction movie, it's almost exactly the same.
It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
If you walk through Knightsbridge on any bland day of the week you won't hear an English accent. You'll hear every accent under the sun apart from the British accent.
You can hear my dreams? God, you must never get any quiet. I'd be shooting myself in the head if I were you.
They just love the Irish accent in the States. But I just talk really fast because I'm from Cork. It's my speed that really throws them, especially when I get nervous. Doing interviews there is really hard because you can't hear a word I'm saying!
I'd never gotten to do an accent for anything that I've done, so that was really appealing because I love doing accents. Ever since I was a kid, I made it my business to try to mimic foreign accents, so it was really fun to be able to do that. I was really working on the accent to try to make it really good.
You never knew what was going to happen in concert. It was a really exciting prospect to go onstage, and you can hear that in the live recordings ... wherever we were and whatever year it was, we always went onstage determined to do our best.
Challenges, when you're in a tumultuous situation, are an opportunity to grow, an opportunity to get closer to God, an opportunity to find and kind of reform yourself, and to figure out what really matters and what your priorities are.
To be honest, 'Ready Steady Cook' was a great opportunity, but I did compromise myself. I was stood there quizzing chefs on what they were doing when I knew exactly what they were doing and why.
There are still many questions about how law enforcement responded to the shooting at the Pulse nightclub in Orlando.To get some answers, media organizations, including NPR, have asked for tapes of the 911 calls and other recordings. So far, authorities have not released that audio, only edited transcripts. Doing more, they say, would re-victimize the survivors.
I think people are really picky about English accents. When a Brit comes over here and kind of does an OK American accent, everyone's like, 'You were great! Fantastic!' But in England, even if you were doing a pretty good accent, they're like, 'But where are you from?' 'London.' 'What part of London?' Accents are really precious over there.
In my early thirties I was working in television as a researcher. I was really stuck for a period of five years. I got to TV when I was thirty. I hated being a music writer, and kept wondering why I couldn't be doing the exciting things that my friends were doing in television.
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