A Quote by Will Rogers

With Congress, every time they make a joke it's a law, and every time they make a law it's a joke. — © Will Rogers
With Congress, every time they make a joke it's a law, and every time they make a law it's a joke.
And the thing about my jokes is, they don't hurt anybody. You can take 'em or leave 'em - you can say they're funny or they're terrible or they're good, or whatever, but you can just pass 'em by. But with Congress, every time they make a joke, it's a law! And every time they make a law, it's a joke!
When I make a joke, nobody gets injured... when Congress makes a joke, it's the law.
There's this joke that Anna Drezen wrote for Melissa Villasenor, where Melissa plays every teen-girl murder suspect on Law & Order.' And there's this joke in there that is like, We stabbed her as a joke, but she took it the wrong way and started bleeding!'
The thing with the comedian is you can make all the jokes you want and not every joke it going to be a winner, and not every joke is going to land, there'll be some that somebody doesn't laugh at, but that's just part of the deal.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
Laughter is binary: It either happens or it doesn't. As each joke arrives in the course of a film, the cavernous space of the theater is either filled with joy and laughter or with the quiet of cringing embarrassment. Every time you step to the plate to make a joke, you're going to experience one or the other.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
I suppose every time [something bad happens], I have that instinct to make that joke that distracts.
I have been recording every single one of my shows since 1994. Every single joke I've ever done is on a hard drive. I can tell you when I wrote every joke I wrote. I can tell you the first time I said it, when I made it different, when I made it better.
I guess my feeling is is that if you're going to make a joke, that's fine, but you should also sort of stand behind it, you know? A joke should be more than a joke, it should be a point that you're trying to make.
I guess my feeling is that if you’re going to make a joke, that’s fine, but you should also sort of stand behind it, you know? A joke should be more than a joke, it should be a point that you’re trying to make.
In earlier comics, my only priority was telling a joke in the last panel, but now I try to make every panel as interesting as possible, and that normally means at least a li'l joke there.
Not everybody should be laughing at everything at the same time. That's not even natural. My thing is to feel natural, because I don't want to feel like I could just make people laugh at every single joke, every single time, with the same decibel level.
It's easier not to make a particular joke in case it offends. But every joke will offend someone, and I've always believed that the audience is bigger than one person. The danger is that things will become bland.
I don't see much point in doing things for a pure joke. Every now and then you need a joke, but not so much as the people who spend all their lives constructing joke palaces think you do.
It's really surreal when I play shows, I'll have three or four people who are in the front row who are singing every word to my songs. The first time I experienced that I was like,"Are they mocking me? Is this a joke?" But it's not a joke. They actually identify with my music and that is something that I'm getting used to.
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