A Quote by Will Rogers
Everytime a lawyer writes something, he is not writing for posterity, he is writing something so that endless others of his craft can make a living out of trying to figure out what he said. Course perhaps he really haden't said anything, that's what makes it so hard to explain.
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I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.
Writing about real stuff that really concerned me brought out my craft. If you're writing a story about, 'Is Lois Lane gonna figure out that Superman is Clark Kent?' - it's really hard to get involved in that on anything other than a craft level. And I'm not gonna put down craftsmanship; it is a noble enough thing to have made a table that you can pound on and it doesn't fall down. But occasionally, we might have an assignment that engages some other parts of ourselves, and those tend to be the good stories.
Let me explain something to you, he said. If you want to get something out of a man, dashing out his brains against a lamppost isn't the way to do it.
Trying every day to tell the truth is hard. There are harder things, of course - arguably, living with lies and meaninglessness, living in despair is harder, but it's hardship disguised as luxury and easier perhaps to grow accustomed to, since truth is usually the enemy of custom. There are harder things than writing, being President Obama, for instance, and having to deal with House Republicans, or trying to fix the leak at the Fukushima reactor, these are harder, but writing is hard.
Unless you can point to something that I have done or said that has changed the course of the public opinion in a negative way, you've got to check yourself sometimes and say, "Maybe I don't like the way that this thing is said, but it's expanding tolerance." If I said something that was shutting down something that was positive, call me out, but I don't really see me doing that.
A football team is really a big family. There's a give and take... but a few are working for their name only. They go the whole week trying to figure out who said something, what they said and where it happened instead of showing that they're big men.
Part of the reason I'm writing it is to try to figure out what that is myself. It's not like I came back from Iraq and said, "We need to have a conversation, I know exactly what it is." It was just this sort of sense of something missing and then trying to write toward what that was, and to solicit from other people a sense of what that might be.
Right now-whether you're in writing courses getting "paid" in credit for writing, or burdened and distracted by earning a living and changing diapers-figure out how to make writing an integral part of your life. Publication is good, and gives you the courage to go on, but publication is not as important as the act of writing.
By Cunning & Craft is a masterpiece of writing about writing. If, like Scheherazade, you had to spin out a story under threat of death, this is the how-to book to read. It's filled with thoughtful, nuanced advice from a teacher/writer who actually writes, and writes beautifully and with great humor. The list of rejected stories is worth the price of the whole book.
In my writing I wanted to be liked for writing really unlikeable stuff. There were books that people, particularly women, hated so much. They said, "I threw it against the wall!" Which, in my opinion, was a compliment. Because it's very hard to get somebody to throw something.
When you’re writing, you’re trying to find out something which you don’t know. The whole language of writing for me is finding out what you don’t want to know, what you don’t want to find out. But something forces you to anyway.
One is constantly trying to figure out what came together in one's childhood. Lots of people spend significant portions of their lives in therapy - especially in the States - trying to work out who they are. I'm certain there is a little of that in the business of writing. That would explain why certain images and themes recur.
All of the most important lessons about writing I learned from my father. He never set out to teach me anything, it would just be something he said casually in conversation.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
I think the more that I can find myself getting out of the way - like you said yourself - trying to get out of thinking too much, and sometimes something truly special can happen. That's the beautiful mystery of song writing - that you really don't know where these songs come from exactly, and you don't know how you came up with them - and god bless it that you should have the gift of channeling that.
Whether it's films or painting or music or writing a book, the greatest experience is being able to express yourself and what you've gone through, trying to figure out a way to make it into something that's artistic that people can connect with.
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