A Quote by Will Rogers
With old inflation riding the headlines, I have read till I am bleary-eyed, and I can't get head from tails of the whole thing. ... Now we are living in an age of explanations-and plenty of 'em, too-but no two things that's been done to us have been explained twice the same way, by even the same man. It's and age of in one ear and out the other.
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New York has a thousand universes in it that don't always connect but we do all walk the same streets, hear the same sirens, ride the same subways, see the same headlines in the Post, read the same writings on the walls. That shared landscape gets inside of all of us and, in some small way, unites us, makes us think we know each other even when we don't.
Until now in world's history, whenever we've had a dark age, its been temporary and local. And other parts of the world have been doing fine. And eventually, they help you get out of the dark age. We are now facing a possible dark age which is going to be world-wide and permanent! That's not fun. That's a different thing. But once we have established many worlds, we can do whatever we want as long as we do it one world at a time.
Emmett Till and I were about the same age. A week after he was murdered... I stood on a corner with a gang of boys, looking at pictures of him in the black newspapers and magazines. In one, he was laughing and happy. In the other, his head was swollen and bashed in, his eyes bulging out of their sockets, and his mouth twisted and broken... I couldn't get Emmett Till out of my mind, until one evening I thought of a way to get back at white people for his death.
As I said just now, the world has gone past me. I don't blame it; but I no longer understand it. Tradesmen are not the same as they used to be, apprentices are not the same, business is not the same, business commodities are not the same. Seven-eighths of my stock is old-fashioned. I am an old-fashioned man in an old-fashioned shop, in a street that is not the same as I remember it. I have fallen behind the time, and am too old to catch it again.
I don't mind being older. I'm proud of my age. I've achieved a lot. It's the same thing with Mick and the Stones. They should be revered and respected. Isn't it strange that now we're living longer we have so much less respect for old age? Perhaps it's a less valuable commodity?
My pawing over the ancients and semi-ancients has been one struggle to find out what has been done, once and for all, better than it can ever be done again, and to find out what remains for us to do, and plenty does remain, for if we still feel the same emotions as those who launched a thousand ships, it is quite certain that we came on these feelings differently, through different nuances, by different intellectual gradations. Each age has its own abounding gifts yet only some ages transmute them into matters of duration.
Some of my peers are artists who are at the same level as I am and have been getting paid more than I have, so there's even a pay gap. It's disgusting. But as soon as you get one person speaking out about it then you'll get other people coming out of the cracks saying, "Actually, me too." I'm starting to see and feel a bit of change in the industry now. It's long, long overdue, but it's a beautiful thing to see and it's just going to get better as the days go by.
Age is a very psychological thing; I do not know how old I am if you ask my age. Age is calculated by when you get born, but I do not agree with that parameter. I sometimes feel like 25, sometimes 12 and at times 40, and I love that about myself as an artist. I am not stuck to a particular age.
I'd always assumed that I would die at about the same age as my dad - he was 45. I am five years in credit now. I can't get my head around the fact that I am older than he was - ever.
I turn 30 next month, and in my 20s, I've been in this limbo of being too old to play the young lead, and too young to play the 30, 35 - year - old. I've always had an older head on my shoulders because I've hung out with older people. I was in television shows with older actors, and when I was 15, 16, 17, I sat up in hotel lobby bars with older actors until the early hours of the morning hearing them tell stories. I've always been drawn to older characters and I've always struggled to get into the younger roles. It feels good to be finally getting to an age where I'm playing my age.
China is the same age as I am, and even I have to admit that she wears it better!" He laughed, then stopped and peered at her. "Because I'm a skeleton" he explained.
And now I am eking out my days in my corner, taunting myself with the bitter and entirely useless consolations that an intelligent man cannot seriously become anything; that only a fool can become something. Yes, sir, an intelligent nineteenth-century man must be, is morally bound to be, an essentially characterless creature; and a man of character, a man of action - an essentially limited creature. This is my conviction at the age of forty. I am forty now, and forty years - why, it is all of a lifetime, it is the deepest of old age. Living past forty is indecent, vulgar, immoral!
I have been writing my heart out all my life, but only getting a living out of it now.... ... it's not a question of the merit of art, but a question of spontaneity and sincerity and joy I say. I would like everybody in the world to tell his full life confession and tell it his own way and then we'd have something to read in our old age.
The French press can be very harsh, and the one thing they can't bear is multi-tasking. They despise it to the highest degree, so from the age of five I've been taught that if I did two things at the same time, it meant I didn't know how to do one. It's an obsession that they have.
It's time for a new National Anthem. America is divided into two definite divisions. The easy thing to cop out with is sayin' black and white. You can see a black person. But now to get down to the nitty-gritty, it's getting' to be old and young - not the age, but the way of thinking. Old and new, actually... because there's so many even older people that took half their lives to reach a certain point that little kids understand now.
We're all trapped. It's always 1734. All of us, we're stuck in the same time capsule, the same as those television shows where the same people are marooned on the same desert island for thirty seasons and never age or escape. They just wear more makeup. In a creepy way, those shows are maybe too authentic.
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