A Quote by Will Self

Who'd want to be a modernist writer in the English-speaking world? — © Will Self
Who'd want to be a modernist writer in the English-speaking world?
Most English speakers do not have the writer's short fuse about seeing or hearing their language brutalized. This is the main reason, I suspect, that English is becoming the world's universal tongue: English-speaking natives don't care how badly others speak English as long as they speak it. French, once considered likely to become the world's lingua franca, has lost popularity because those who are born speaking it reject this liberal attitude and become depressed, insulted or insufferable when their language is ill used.
James Joyce's English was based on the rhythm of the Irish language. He wrote things that shocked English language speakers but he was thinking in Gaelic. I've sung songs that if they were in English, would have been banned too. The psyche of the Irish language is completely different to the English-speaking world.
The biggest issue for me has been the language because I speak so much German now. I've had to focus on my English and find more words to describe what I want to say and also soften my tone. It was quite stiff from 20 years of speaking German, so when I started speaking more English, oh my god, my tongue was like: 'Argh'!
Whether I go to English-speaking countries or non-English-speaking countries I can just modulate to what works for them.
The only imaginative prose writer of the slightest value who has appeared among the English-speaking races for some years past.
I think Le Carre is a great modernist writer, which is to say, in a godless world, he invokes deep, almost religious ideas of betrayal, trust, faith, and that's why we love it.
My dad came from Cuba when he was a teenager not speaking English. And I grew up here speaking Spanglish. That's the world in which I grew up, and that's a world in which a lot of second generation immigrants find themselves.
Speaking as a writer, I'm not interested in trends, I want to write books that are honest, with characters as true to the inner world of the story as I can make them.
Do we want a multicultural society, following the model of the English-speaking world, where fundamental Islam is progressing and we see major religious claims, or do we want an independent nation, with people able to control their own destiny, or do we accept to be a region managed by the technocrats of the European Union?
I want an ending that’s satisfying. I’m more of a classical writer than a modernist one in that I want the ending to be coherent and feel like an ending. I don’t like when it just seems to putter out. I mean, life is chaotic enough.
I want an ending that's satisfying. I'm more of a classical writer than a modernist one in that I want the ending to be coherent and feel like an ending. I don't like when it just seems to putter out. I mean, life is chaotic enough.
I was so glad that I was able to use my skills of speaking Chinese in a film where the character is Chinese, because sometimes you actually don't get to do that. Especially in Hollywood blockbusters today because they want everyone around the world to understand what is happening, so they usually want you to speak English.
If you're a Norwegian writer, you are not visible in the world. The door of the English language is very hard to open for a Norwegian writer.
The idea of sovereignty current in the English speaking world of the 1760's was scarcely more than a century old. It had first emerged during the English Civil War, in the early 1640's, and had been established as a canon of Whig political thought in the Revolution of 1688.
It's part of my challenge as an actor, not only speaking English but speaking Spanish with a Mexican accent.
I hope the English-speaking world can see that I'm not only an Israeli actress.
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