A Quote by Will Sheff

When your head is smashing into the concrete you don't have question about whether it's a real sensation. And ultimately, that's what's going to unmake us all - smashing up against the physical reality of death and decay, and being unmade.
The ideology of the Smashing Pumpkins was ultimately more valuable than the music of the Smashing Pumpkins. That's what critics can't put their finger on.
If you don't make up your mind, your unmade mind will unmake you.
The real question is not whether life exists after death. The real question is whether you are alive before death.
The nursery rhyme ends when a spider comes along and frightens Miss Muffet straight off her tuffet. I have wondered about what kind of lesson this is for a young girl. If you're eating your curds and whey and a spider comes along, I don't think there's anything wrong with picking up a newspaper, smashing it, and going back to your breakfast.
If you'd given me the choice of going out and beating four men and smashing a goal in from thirty yards against Liverpool or going to bed with Miss World, it would have been a difficult choice. Luckily, I had both.
In dialogue, there is opposition, yes, but no head-on collision. Smashing heads does not open minds.
Never angrily rant into your web cam. While smashing a keyboard in half over a game of 'World of Warcraft' may seem totally justified in your head, to the rest of the known universe you look like a raging psychopath.
I get more out of life just being myself, by just being a human being. Not by being a rock star, not by being whatever. Sometimes I act like a jerk, but I think people respect me for being myself. That's the ultimate thing about the Smashing Pumpkins.
You can't be, like, smashing guitars against Marshall stacks all the time. As a matter of fact, after a while, it just looks like posing - it never really gets down to any message or any real expression.
I approach every show from the same fundamental perspective: this is a conversation, and my job is to make people leave the show feeling like they've seen something singular. It's not about smashing someone over the head from the jump-off.
Respect to the Smashing Pumpkin the Black Key and the King of the Leon. They all have the real heart and work to make the people happy.
Real success and accomplishment, at whatever it is you are passionate about, requires real work. Real sacrifice. Real disappointment. Real failure. And it requires the ability to scrape your sorry ass up off the floor, stumble to your feet, wipe the rivulets of watery drool from your face, and do it again, like an obstinate toddler running against the wall with his head in a bucket.
Fortunately, in the place where I went out, they had set up a little previously a fence which prevented me finally from smashing against trees. I went out with a broken leg only. A small price to be paid at the time for an accident of this kind.
Smashing Pumpkins has never been a band about hit songs.
In the past things were either in your head (subjective, imaginary, fantasy) or else they were part of the outside world - cold, hard, concrete materialistic reality. If you want to look at it in terms of poetry, there was surrealism and objectivism. Now there's the veil of the virtual in between. The old opposition between inner and outer doesn't quite capture it, especially as it contains elements of both. It's real but not concrete.
Hey kids, while you're out smashing the state keep a smile on your lips and a song in your hearts.
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