A Quote by Will Smith
You've got to run your career. What happens is a lot of times artists have this talent and they're just looking for somebody to take it and do something with it. And you have to be the creative force.
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Cancer doesn't just happen to me; it happens to my best friend; it happens to everyone who means something in my life... The truth is, it does take a village to take care of somebody who's sick, and so we just, at all times, tried to be authentic to the actual experience we had.
A lot of young artists think that by looking tough in a homemade video they're worth something. In time they'll realize getting respected for your talent is what counts.
A lot of shows take place here and people of Dubai are very good listeners too. Definitely a lot of talent comes here and a lot happens here which is very encouraging for artists.
Generally speaking, investing in yourself is the best thing you can do. Anything that improves your own talents; nobody can tax it or take it away from you. They can run up huge deficits and the dollar can become worth far less. You can have all kinds of things happen. But if you’ve got talent yourself, and you’ve maximized your talent, you’ve got a tremendous asset that can return ten-fold.
I once heard a man say he knew there was a God, he just didn't think he needed Him. It is nice to take care of yourself and be independent, but it is also nice to know that you have a resource to rely on in times of need. If you are used to fending entirely for yourself, then when a catastrophe occurs you will expend a lot of energy looking for help at a time when you need your energy looking for help at a time when you need your energy for creative work.
When it comes to your career, you must always try and allow the positive aspects of your character to dictate what happens to you. Be led by your talent, not by your self-loathing; those other things you just have to manage.
In any creative endeavor, you do have to sort of take your shots. Nobody is going to beg you to go into the creative arts. So, if you want to pursue a career in something like acting or writing, the motor and the drive have to come from you. And that does take courage because, A, a lot of people want to do it, and B, it's hard. So, you have to have the guts to put yourself out there and go for it in spite of the world saying, "You know, it would be so much easier, if you didn't pursue this." So, it does take guts.
There is something really nice about learning that you can take the reins of your life and your career. There are a lot of times, doing what we do, that you feel no control and get very panicky feeling. It's nice to know that you are able to do it on your own.
I would never tie in creative with a talent's contract. To me, that is insanity. Creative needs change, talents evolve or not, and to be locked in to a talent having the ability to not run the plays that the team dictates is not smart business.
Life is like a wrestling match: a lot of times, things are looking good, and then something happens, and you're fighting from underneath.
For artists it's a lot easier to make art in bad times than it is in good times. When you've got no money it's easy to just drink your way through it and make great art. But if you're making lots of money it can be very problematic.
I work a lot, and I prepare a lot. I think that's really important when you live in LA, to go the extra mile for whatever it is that you're trying to achieve. You realize out here that when you stop moving so fast, it's a lot harder than you thought. A lot of hard work has to go into your career, and preparation, and being your best at all times. I think you just have to always present yourself at your best, and you just need to be prepared all the time. Looking good, and feeling good, and being positive, and being in the right set of mind to accept whatever comes your way.
You know, it only happens a handful of times in your career, where you walk out of an audition feeling like all the stars aligned, my preparation paid off, something magical happened in the room. I've gotten really lucky and I've gotten to work a lot, and I would say it's only happened, like, two or three times, where I've walked out and been like, This was the right thing and the right choice and they should just cast me.
I'm looking for a charismatic character - somebody who you just want to look at and listen to and whom the camera likes. I'm also looking for a narrative arc: Something is going to happen, and there will be a question that will make you wonder what happens at the end.
When you're a creative person, there are just times when you're not listening. You know, I could be looking right at you and thinking about something else.
I think that these are different times, and different things are available to artists, and certain things have become passé. You've already seen the outcome of a lot of things that seemed to have a lot of potential. We've already heard that, and I can't tell you if it made a difference or not. But we already know that artists can do that, and they shouldn't feel threatened by doing it. They're probably not going to change the world. They're going to change a few people's perspectives and maybe make somebody's day at times, if they can.
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