A Quote by Will Smith

I'm used to people clapping at the end of the movie. — © Will Smith
I'm used to people clapping at the end of the movie.
People say there's delays on flights. Delays, really? New York to California in five hours, that used to take 30 years, a bunch of people used to die on the way there, have a baby, you would end up with a whole different group of people by the time you got there. Now you watch a movie and [go to the toilet] and you're home.
I was three years old, and I walked onstage during a performance that my father was a tenor in 'The Barber of Seville.' I walked out onstage, and people started laughing and clapping, and that was it. That was all it took. Laughing and clapping, I still enjoy today.
The Freebie cost virtually nothing. We funded the movie ourselves, people got paid, but were mostly paid in the back end, we used one of the cheaper cameras we could get. The movies have a look to them, you can sorta point out the really low-budget movie. So even if the heart of the movie and the story are really, really great, they always sorta feel a little cheap.
When I hear people clapping at the wrong times, I think that's great. We have got a listener that's not used to going to - we have got a new listener.
Sitting there clapping and smiling... it's difficult. You're like, 'Don't worry about it, you just double faulted, you just played a really dumb point. Keep positive.' Then more clapping. That would annoy me as a player.
I used to put all my doll babies on my bed with their hands up and I would do full shows for them. I'd even do the screaming and clapping. I was bugging to be a singer.
The word translated, koan, it means a problem. But it's a very special problem. And to strip it down to the way it works, you are given a problem which has no rational solution. There is a contradiction built into it. One standard - one is this is the sound of two hands clapping. What is the sound of one hand clapping? And so on. All right, so the first thing is that it brings your rational mind to an impasse.
There's something that's very human about 'Warriorv that brings you out. You're watching the movie and, yeah, there's fighting - there's a tournament at the end of the movie - but it takes a long time to get to know these people.
Whoever thought of making ballet? I mean, what is it? It's so alien. You just look at people's behavior as well - people trying to show off on stage and people clapping.
If you watched a movie about a guy who wanted a Volvo and worked for years to get it, you wouldn’t cry at the end when he drove off the lot, testing the windshield wipers. You wouldn’t tell your friends you saw a beautiful movie or go home and put a record on to think about the story you’d seen. The truth is, you wouldn’t remember that movie a week later, except you’d feel robbed and want your money back. Nobody cries at the end of a movie about a guy who wants a Volvo.
There used to be a time when people used to hold up cigarette lighters and candles at concerts, and the place was aglow to celebrate the end of the evening, or during a slow song, there was this congregational euphoria that used to exist. It still does, but now it's a question of iPhones being held up.
When you watch movies in Britain, the reaction when people hate a movie is... they just politely get up and leave at the end. And when they love a movie... they just politely get up and leave at the end.
Seeing all the people smiling and laughing and clapping for me... it's such a wonderful feeling.
At the end of the day it's got to be a good movie, it's got to be a funny movie, and it's got to make people think, 'Hey, I couldn't have spent my time any better.'
But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.
One of my favorite things about making horror movies is, the first time you screen them in front of an audience, it's very fun to hear people audibly react to the work you put into a movie. You don't wonder at the end of the movie whether it worked or not.
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