A Quote by Will Smith
I first wanted to be a comedian when I was six or seven and my dad showed me Laurel and Hardy's "Perfect Day" on tv.
Related Quotes
Laurel and Hardy have this love relationship. Why? This little Englishman screwed Hardy up, physically, every day of his life! Why is he with him the next day? It's forgiving.
What's interesting about Laurel and Hardy is that in most comedy teams, there's a straight man, and then there's the funny guy. And with Laurel and Hardy, they're both the funny guy.
I loved Laurel and Hardy and TV shows like 'Robin Hood' and 'Rama of the Jungle'.
I think you have to know these fellows definitely before you can draw them. When you start to caricature a person,you can't do it without knowing the person. Take Laurel and Hardy for example; everybody can see Laurel doing certain things because they know Laurel.
I was a 'Laurel and Hardy' nut. I got to know Laurel at the end of his life, and it was a great thrill for me. He left me his bow tie and derby and told me that if they ever made a movie about him, he'd want me to play him.
It is true that I got recognition. But however good the comedies are, nobody will accept a good comedy director as a good director. That is the sad part of it. Nobody knows who directed the 'Laurel and Hardy' movies. They know only Laurel and Hardy. Directors will never get a good name if they direct a comedy film.
When I used to watch comedians with my dad, he laid it all out for me. He wanted to be a comedian himself, and he was so funny. We'd watch stand-up on TV, and he'd tell me the subtext of what they were saying.
I was a great fan of Charlie Chaplin, Laurel and Hardy; they always inspired me.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
And yeah, my handicap was down to a 10 when we were at the thick of it. I trained for six or seven months, golfing every day for six hours, seven days a week, with eight trainers. It was intense.
I never saw a Laurel & Hardy movie in a theater when they first ran, when I was a kid. But as a child, I knew who they were, and knew the culture of it, what they meant.
Of the first seven novels I wrote, numbers four and five were published. Numbers one, two, three, six, and seven, have never seen the light of day... and rightly so.
For a long time I wanted to do the kind of work my dad did. He was going to ask his foreman at the mill to put me on after I graduated. So I worked at the mill for about six months. But I hated the work and knew from the first day I didn't want to do that for the rest of my life.
I got my first instrument at Christmas when I was three or four. My dad and mom got me a mandolin. It was the only instrument that fit me because I was so small. I went straight from that into drums when I was six and then started playing guitar when I was seven or eight.
Laurel and Hardy are among my strongest influences, and I think they're perfect examples of two naive, kid-like characters that are still funny today. In fact, they're a lot like SpongeBob and Patrick, walking around in their own little world and causing a fine mess.
And I'll never forget the first time I took the possibility to project sound every day for six or seven hours with special devices which were built for me.
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