A Quote by Willa Cather

Most publishers, like most writers, are ruined by their successes. — © Willa Cather
Most publishers, like most writers, are ruined by their successes.
Like most new writers, I could only hope that one day one publisher might agree to publish one of my books; I couldn't imagine several publishers all wanting to buy the first book I'd written.
Most American writers don't get asked their opinion on current affairs, whereas in Europe and England, we still do. There are writers here who are the most sophisticated commentators, but they're not asked. Like Don DeLillo, who sort of forecast most of the modern world before it happened.
I can't watch shows like 'The X Factor,' for instance. I just squirm for the people involved, for the way they're being used. It's the cruellest, most ridiculous show on television. It's ruined music, ruined everything.
Publishers seem to be in an alcoholic haze most of the time. Well, the publishers have no idea what a writer is.
Most writers can write books faster than publishers can write checks.
You know, it's a funny thing about writers. Most people don't stop to think of books being written by people much like themselves. They think that writers are all dead long ago--they don't expect to meet them in the street or out shopping. They know their stories but not their names, and certainly not their faces. And most writers like it that way.
I think most new writers are better off going with traditional publishers who will actually, at a minimum, edit your work, package it well, and market it for you.
The problem is that most people focus on their failures rather than their successes. But the truth is that most people have many more successes than failures.
Publishing is no longer simply a matter of picking worthy manuscripts and putting them on offer. It is now as important to market books properly, to work with the bookstore chains to getterms, co-op advertising, and the like. The difficulty is that publishers who can market are most often not the publishers with worthy lists.
Those who insert themselves into as many channels as possible look set to capture the most value. They'll be the richest, the most successful, the most connected, capable and influential among us. We're all publishers now, and the more we publish, the more valuable connections we'll make.
Most successes are unhappy. That's why they are successes - they have to reassure themselves about themselves by achieving something that the world will notice.
Most writers regard the truth as their most valuable possession, and therefore are most economical in its use.
Most great writers suffer and have no idea how good they are. Most bad writers are very confident. Be willing to be a child and be the Lilliputian in the world of Gulliver, the bat girl in Yankee Stadium. That’s a more fruitful way to be.
He's convinced most human adults do not know how to play anymore and that playing is one of the best ways to think. Franky finds children, by far, much more pleasant and intelligent than most adults, but they are easily ruined by their families, schools, and society. He says one of the ways they are ruined is by being forced to think of all the tasks that need to be done as work, not as play. It takes the joy out of living.
John Dos Passos, Raymond Carver, Flaubert and William Maxwell were all very influential when I first started writing. Now, the writers I'm most interested in are the writers who are most unlike me: for example, Denis Johnson.
Without writers, none of the entertainment would exist. It starts with writers. Writers are the most important piece of the entire puzzle.
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