A Quote by Willam Belli

Rocky Horror Picture Show' was my gateway drag/drug. I was somewhere between 13 and 16 when I started going to that. — © Willam Belli
Rocky Horror Picture Show' was my gateway drag/drug. I was somewhere between 13 and 16 when I started going to that.
Being compared to 'The Rocky Horror Picture Show' is a huge compliment.
I do not believe that marijuana is a gateway drug, and having been a mayor trying to keep my community safe, if there was any drug that was driving violence, more than marijuana, it was alcohol which is legal. And so I just don't think this is a gateway drug. And by the way, if you regulate it you're actually going to overcome a lot of problems with people having to go to the streets to buy their drug. You don't know how dangerous that is.
Around '93, the radio started playing 'Loser' by Beck and 'Cut Your Hair' by Pavement, and then I got way into Pavement. That was kind of a gateway drug into indie rock. I got all their B-sides, and I got that 'Hey Drag City' comp, so I got into all those Drag City bands.
I grew up in New York till I was 5, and I remember going to see 'Annie' and some musicals as a kid, and I remember my parents being somewhat okay with us watching 'Rocky Horror Picture Show,' which, it boggles my mind that they allowed me to watch it.
For my rock band, I was influenced by things like 'The Rocky Horror Picture Show.' For me, it's live rock n' roll theater.
The most challenging part of playing Magenta was knowing that there have been so many great Magentas before me, including Patricia Quinn in the original 'Rocky Horror Picture Show'.
Sometimes I feel I have no idea what I'm doing as an actor. I just did a tape for the TV remake of 'The Rocky Horror Picture Show,' and I think it could be the worst thing I've ever done.
I went to London a lot as a young designer because London was a major inspiration, not only for the clothes but the sense of freedom. I remember going to see a stage production of "The Rocky Horror Picture Show" in the mid Eighties and loving the mix of Goth and humor, and in my shows I've always liked to play jokes and have fun.
I've never been one like, "Oh, these are my songs" - that was done out of necessity, because there was no one to help. I have 90 percent of it written; that way, we can go on the road, be tight and have it ready to go for next year. I know I said I didn't have a grand design, but I think it's going to be like Marvin Gaye meets The Rocky Horror Picture Show.
I don't think 'Freak Dance' is a parody; it's more reference than anything. People don't think of 'The Rocky Horror Picture Show' as a 'Frankenstein' parody. It's kind of like that.
Look and image were very important - there was already incredible pressure to look feminine and sexy but I wanted to look individual and strong. I didn't have any role models except Little Nell from 'The Rocky Horror Picture Show.'
I like money but I love performance art and it goes hand in hand. I'm not the 'Titanic,' I'm 'The Rocky Horror Picture Show.' I'm not a blockbuster, I'm a cult classic. I think my strong but cult-like fanbase expects me to challenge norms.
Well, yeah! Now they're considered golden oldies, which is awesome. I was watching Little Women recently, and I didn't want to get up for fear of missing something. And Heathers is like my own Rocky Horror Picture Show; I recite the lines when it's on. It may seem odd, but I think it's because they're really good movies.
'The Rocky Horror Show' was actually my first musical love.
My relationship to 'Rocky Horror' probably started when I was younger than my parents would like me to admit.
I was 13 when I was started questioning and 16 when I stopped believing in God.
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