A Quote by Willam Belli
One of the most flattering things is when other people are seeing what you're doing and then replicating that kind of thing.
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I feel kind of like a kid absorbing everything. I just like seeing people who are doing their thing, whether it's music, or a movement they're creating, or coming up with new technology. I really like seeing that there's new stuff happening. I find that the most inspiring thing.
If you're not observing the world around you, in some sense you're not really an artist because then that means you're just replicating other people's stuff, or, I don't even know what you're doing.
That was very flattering, meeting Steve Vai and hearing his stuff, because he was kind of a fan, even though we kind of dumbed down what he was doing and what people were doing in the '80s. We weren't doing solos; we were doing sounds and all this creepy, trippy stuff.
My performing and my singing leave much to be desired, but having other people record my songs is the most flattering thing that can happen.
The thing I remember the most was not understanding why, if you were doing the right thing, then why did people want to kill you? I remember asking my parents, 'Why is it when people are trying to help other people then they're dying?'
My dad's a scratch golfer and I've got the knack of seeing something and then replicating it. I saw my dad swing a club and I worked out how to do the same thing. My backswing and follow-through have been basically the same since I was two.
I used to be embarrassed because I was just a comic-book writer while other people were building bridges or going on to medical careers. And then I began to realize: entertainment is one of the most important things in people's lives. Without it they might go off the deep end. I feel that if you're able to entertain people, you're doing a good thing.
One thing I would always say is speculation is always flattering because if someone is talking about you or linking you to a job then it's something that is flattering.
Even if we're not doing anything wrong, there are certain things we want to do that we don't think can withstand the scrutinizing eye of other people. And those are often the most important things that we do. The things we do when other people are watching are things that are conformist, obedient, normal, and unnotable.
There was an uncommon array of people in there [rehab] with me, and I became friends with all of them. You recognize the possibility of your own demise in the lives of these other people. You're doing the same thing they are, but you can't see it in yourself. However, you start seeing all of these tragedies and potential miracles in other people. It's a real eye- and heart-opening situation.
Seeing other people perform inspires me. I couldn't be a good performer if just relied on my own talents. Seeing what other brave choices other actors are making gives me the strength to be bold in auditions and to approach roles in different kind of ways.
All a writer wants is to be read, and people are so flattering and lovely. I mean, there are witches out there as well. But most are so kind.
I've rarely kept my distance from kind of - I don't know if we can call it politics, but kind of, civic engagement and that kind of thing, except I tended to think, 'Well, do it yourself before you start telling other people what they should be doing.'
What people have to make sure of is that they're not replicating something that already exists. You really have to ask yourself: "Is there a point in me doing this? Has this already been said before? Is this moving things along or is this just adding to the giant pile of junk that's already there?"
Most of the time I approach a track as series of experiments: seeing what fits, and trying to manipulate sounds into each other so they have some kind of dialogue, and then start building a structure around it.
Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of ueber-objective is to make people laugh. You always have to have that in the back of your mind, 'Eh, I've got to figure out a way to make this funny.'
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