A Quote by Willam Belli
I think finding a way to relate material to yourself can be useful to some people but acting for me is just being really good at make-pretend and lying. I've always been a great liar.
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I always think of the character as being me. But me wearing a 'coat', which may be a different way of speaking, moving or regarding other people. To me, acting is pretending, just like kids playing, only you pretend as if it were really, really real.
I'm not a big fan of training, at all. I really don't like it. I've done a few acting classes and I've just hated them. I think they train you to do something, and sometimes you might not be able to break out of it. Acting is lying, and lying is acting. So, I just prefer to read the script and do it my own way.
Nothing is drearier than just always telling the truth about yourself. Rousseau, who as far as I can tell was a pathological liar, made this wonderful distinction between lying, which he said there was something wrong with if you were trying to extract an advantage for yourself or evade responsibility for some nasty thing you'd done. But if all you're really trying to do is impress or keep it young or make life more vivid and interesting, go for it! There's no real harm in doing something like that. I think people can be overly saddled to the truth.
Not just as an actress, but on a human-being level, I've experienced frustration on many different levels. [With my] career, it would be more the frustration of not always finding challenging material or inspiring material ... [Acting is] therapeutic for me. I'm pretty accommodating.
I always was getting into trouble some way, because I was really good at lying when I was a kid. If I left my jacket at school for the third time and my mom was really angry at me, I would make up a lie and I would just really believe in it. This sounds a little bit sociopathic.
All the world's a stage. P.T. Barnum: It becomes a circus. But circuses or street pageants or parades have always been useful in a society.They've always been useful as a way of critiquing power. The carnivalesque has always been useful as a way of the powerful being mocked in a public space.
It's great fun if you get a good piece of writing and you can pretend to be someone else, tell a story that needs to be told, make some kind of connection. I've always fancied myself as a leading man, but I really doubt whether anyone else sees me that way.
Acting is not pretending or lying. It's finding a side of yourself that's the character and ignoring your other sides. And there's a side of me that wonders what's wrong with being completely honest.
We are little animals walking on the ground, we have a certain life time, we are acting and interacting with different people, and we are trying to build things, but we are just some sort of virus compared to the entire sky. You always have to remember that the moon, the earth, the sun, they are like the real universal objects. We are just passing by, and it makes life more beautiful to think that way. More relaxing to think that way, that nothing is really important, because you give yourself much more confidence and you forgive yourself more things when you think about that.
The legwork is always hard. Really finding people that you think are good enough. Just the definition of what we have to do is finding good enough people that you really think are special.
Ultimately, we as a band just write what we write. Some of it's very serious, and even in the serious songs, there's sometimes an angle of levity. I think that's just how we communicate naturally and to shy away from that would be, first of all, boring for me, but also it wouldn't ring true to who I am or the way I relate to people or the way we relate to people as a band or the way we relate to the audience. Humor is a big part of it, but we also take our craft very seriously.
It's kind of a collaborative relationship. Westworld requires the investment of the people watching, and that's what I love about it. It changed my life. When I read the script, I was like, 'This is going to change the way I think about my own life. The way I see myself, the people around me, and the way I choose to exist.' That's what great material does. It transcends just being pop cultural entertainment, and actually involves the mind. It's really fun, and when I see the reactions and theories it makes me really excited. That's why I act.
I always tend to write about outsiders. And what's been fun for me is, as I travel around and visit schools, is that other kids that feel the same way relate to some of my characters, and so I hope in some way that's helping them when they want to read about somebody that they can relate to.
Every once and a while somebody writes a script, but even regardless of what age you are, most of the actors would all agree that it's all based upon material and the material has got to spark with you. It may be great material but you think it's great material for somebody else. Or it's great material and I'm perfect for it. So, you just have to make that judgment and if you feel in the mood to do it.
Early on, someone had told me, 'You know, the camera can always tell when you're lying.' And, Jesus, that intimidated me. 'The camera can always tell? How am I going to do this?' Until one day I thought, 'Wait a minute, acting is lying. Acting is all about lying.'
I'm always drawn towards the darker stuff, because I think it's just a lot more interesting. But it's also good fun doing the comedy, and I think that's why 'Misfits' has been great in that way, as you get a really good balance. I think it's best to try and do everything as an actor, really.
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