A Quote by Willard Van Orman Quine
The lore of our fathers is a fabric of sentences. A pale gray lore, black with fact and white with convention.
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The lore of our fathers is a fabric of sentences. In our hands it develops and changes, through more or less arbitrary and deliberate revisions and additions of our own, more or less directly occasioned by the continuing stimulation of our sense organs. It is a pale gray lore, black with fact and white with convention. But I have found no substantial reasons for concluding that there are any quite black threads in it, or any white ones.
But more wonderful than the lore of old men and the lore of books is the secret lore of ocean.
More wonderful than the lore of old men and the lore of books is the secret lore of the ocean. Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent. All my days I have watched it and listened to it, and I know it well. At first it told to me only the plain little tales of calm beaches and near ports, but with the years it grew more friendly and spoke of other things; of things more strange and more distant in space and time.
Why are you all here?" "One of Bantazar's assassins hit you with an exomangler," Lore said. "He's dead." "A lot dead." Wraith snorted and high-fived Lore. "Massive deadness.
White Americans believe we've made more progress since the end of slavery in 1865 than do black Americans for whom '12 Years a Slave' documents a collective memory, passed down in the genes and by the lore of generations.
...Do you see things in black and white, or are there shades of gray for you?" "I hope there's gray...Black and white make things easier, but only if you don't want to think.
Lore is my favorite kind of story. Because it's not only historical, it's a lie everyone knows is a lie but tells anyway. I love that. Of course every story I tell is true. Completely true. Completely and utterly at least five-eighths of the way to being true, which is truer than any piece of lore and truer than most truths you'll hear.
I’m sure there’s some self-help cheese-ball book about the gray area, but I’ve been having this conversation with my friends who are all about the same age and I’m saying, ‘Y’know, life doesn’t happen in black and white.’ The gray area is where you become an adult the medium temperature, the gray area, the place between black and white. That’s the place where life happens.
That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.
The fact that The Bridge contains folk lore and other material suitable to the epic form need not therefore prove its failure as a long lyric poem, with interrelated sections.
no one has ever accused Texas of being in the vanguard of social progress. This is the most macho state in the U.S. of A. By lore, legend, and fact, Texas is 'hell' on women and horses.
Failure assumes the world is black and white - no gray. I've come to find, it's all gray.
War's not black and white; it's gray. If you don't fight in the gray area, you're going to lose.
True poetry is born of scrutiny,
Scrutiny, the son of meditation,
Meditation, the son of lore,
Lore, the son of inquiry,
Inquiry, the son of investigation,
Investigation, the son of knowledge,
Knowledge, the son of understanding,
Understanding, the son of wisdom,
Wisdom, the son of surrender to the Divine Will
Thus it is with the poet himself: his art is powerful, protecting, elevating, and his judgement straight and strong
I believe I live in a black and white. I think things are like either black or white. I don't really believe that much in the gray. I think that there's gray for a lot of people, but I don't live in the gray. I realize whatever action I have or take, it's going to have a consequence -- either good or bad. So I live my life in a way where I don't have bad consequences. I just notice there's a lot people around me just live in the gray. I don't know, for me, I'm just really straightforward.
Some people never learn the art of compromise. Everything is either black or white. They do no recognize, or will not concede, that the equally important color gray is a mixture of black and white.
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