A Quote by Willard Van Orman Quine

'Ouch' is not independent of social training. One has only to prick a foreigner to appreciate that it is an English word. — © Willard Van Orman Quine
'Ouch' is not independent of social training. One has only to prick a foreigner to appreciate that it is an English word.
English literature is a kind of training in social ethics. English trains you to handle a body of information in a way that is conducive to action.
When I hear the word independent I reach for my revolver. At this point, what the hell does that mean? The English Patient is an independent film... Hootie and the Blowfish are alternative music. I'm the Queen of Denmark. I don't know what it means anymore.
We do not for example say that the person has a perfect knowledge of some language L similar to English but still different from it. What we say is that the child or foreigner has a 'partial knowledge of English' or is 'on his or her way' towards acquiring knowledge of English, and if they reach this goal, they will then know English.
English is full of booby traps for the unwary foreigner. Any language where the unassuming word fly signifies an annoying insect, a means of travel, and a critical part of a gentleman's apparel is clearly asking to be mangled.
My father was English. He date-raped my mother so she's hated English men ever since. You know my boyfriend's English, and I'm, uh, I'm half-English, which she's never been real happy about. If she finds out I'm dating someone English, she'll ah, think I' turning my back on her and becoming a foreigner.' Cathy, that's the stupidest reason I've ever heard.
The way we look at nineteenth-century English social realism and appreciate the working classes of the emerging industrial revolution.
A criminal may improve and become a decent member of society. A foreigner cannot improve. Once a foreigner, always a foreigner. There is no way out for him.
You have people who are good at English but don't have the training in Buddhism or Shambhala, or they have the training but are not good in English. Getting that mixture is really rare.
When I was quite young I fondly imagined that all foreign languages were codes for English. I thought that "hat," say, was the real and actual name of the thing, but that people in other countries, who obstinately persisted in speaking the code of their forefathers, might use the word "ibu," say, to designate not merely the concept hat, but the English word "hat." I knew only one foreign word, "oui," and since it had three letters as did the word for which it was a code, it seemed, touchingly enough, to confirm my theory.
Alone. Yes, that's the key word, the most awful word in the English tongue. Murder doesn't hold a candle to it and hell is only a poor synonym.
I just appreciate my team, appreciate my coaches, appreciate everybody involved, from my coaches, my teammates, the training staff... people in the kitchen at the facility, people who clean the building.
A lot of elders don't really like me in music because they just think I'm a little cheeky prick and I'm arrogant. I'm definitely cheeky, I'm definitely a prick and I'm definitely arrogant.
I know there's a certain love and affection for the homemade on the Internet, and I'm all for that, too, and I appreciate it in alternative music, and I appreciate it in B-movies and in Sundance, independent films.
It's an important social duty to spread the word of English to people whose livelihoods depend on knowing the language.
I have a funny relationship to language. When I came to California when I was three I spoke Urdu fluently and I didn't speak a word of English. Within a few months I lost all my Urdu and spoke only English and then I learned Urdu all over again when I was nine. Urdu is my first language but it's not as good as my English and it's sort of become my third language. English is my best language but was the second language I learned.
A person who speaks good English in New York sounds like a foreigner.
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