A Quote by Willem Dafoe
For every role, you have to always find a different way to approach it, one that's specific and suits what the key is. Every role's a mystery. I think if you know what it is, you probably shouldn't even do it.
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I am flattered that they think that many people would enjoy my work. I don't approach any genre a different way than I may approach another one. I treat every role I do like a role worthy of applying whatever kind of tactic, process and talent I have.
When it comes to the big issues like immigration, everyone has a role. The government has a role. The church has a role. Every Christian has a role.
I think every role is always exciting and intimidating. I've never had a role where I wasn't intimidated by it.
There's always a sense of newness with acting, because every role, you come to every role fresh.
There has to be a way to redirect employee's driving ambition and to channel it more productively. There is. Create heroes in every role. Make every role, performed at excellence, a respected profession.
My favorite role is mommy. I know that sounds cheesy to people who don't have kids, or there are even some moms who think it's cheesy. It's a role you can't prepare for; it's a role you don't get paid to do, but it is the most rewarding role, and to me, it's been the most fulfilling.
I always approach every role through a lens of comedy.
I think typically you'd start in a supporting role or an ensemble role, or maybe even an off-Broadway role. So to come into a lead role on Broadway, especially taking over a role that has been played by two phenomenal actors in the past, that is some large shoes to fill.
Back in my late teens, early 20s I always wanted to be a James Bond girl. That's totally different now. My life has changed so much, my priorities have changed. I don't know if I really have a dream role. I want to go to work every day where there's a role that I really enjoy and I believe in.
I think every role you take on, you should take on the responsibility of doing the best representation of that person or that character or that role. When it is a human being that has actually existed, and it is a person that people know of, yeah, you feel an even more amount of pressure to do a good job.
I'm always playing a role, whether it's the role of the mayor, the role of a news anchor, or a role of a crazy talk-show host. But there was a specific function. 'On Dancing With The Stars', I had nothing to do but be me, schlepping around the floor. And when I host 'America's Got Talent', that's really me just talking to regular folks.
Every time I work with a European director, I find they hire the person that captures the spirit of the role. Americans tend to hire the best face. The person that looks more like the role, whether they can perform the role or not is a bonus.
In every human society of which we have any record, there are those who teach and those who learn, for learning a way of life is implicit in all human culture as we know it. But the separation of the teacher's role from the role of all adults who inducted the young into the habitual behavior of the group, was a comparatively late invention. Furthermore, when we do find explicit and defined teaching, in primitive societies we find it tied in with a sense of the rareness or the precariousness of some human tradition.
I want everybody to think I'm a hard worker as an aunt, a sister, a friend, a daughter, a niece, everything. I want to be great at every role, because every role in my life is as important as being Jessie J.
Every role you play is literally - and I've said this before - every single role that you play, the only way you can connect to that character is because that was a piece of you that was scattered around that yard, almost like we got caught up in some whirlwind.
Every role you play is literally - and I've said this before - every single role that you play, the only way you can connect to that character is because that was a piece of you that was scattered around that yard, almost like we got caught up in some whirlwind
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