A Quote by Willem Dafoe

Socially, I like the idea of sitting in a theater with a bunch of people. — © Willem Dafoe
Socially, I like the idea of sitting in a theater with a bunch of people.
It's based not only on what it played like in the theater, but it's also knowing that certain things play differently in a home theater environment. You have different expectations when you're sitting with 700 people than when you're sitting with your friends or family. It's just a different world.
I like the idea of sitting in a theater with a bunch of people. With technology now, people are getting more and more isolated. I like the community coming around the story. You don't have that with a DVD. People go home, they're tired from work, they can turn it off. It doesn't make you commit the same way, if you can control the movie. More difficult movies, it's too easy to turn them off. All the time, I see movies I know if I had seen it on DVD, I wouldn't have hung with it. If you see it on the screen, you hang with it and it pays off better than a movie you can easily sit through on DVD.
I like to start with an idea, but then again, I might be sitting at the keyboard, and just playing a bunch of chords that sound cool together, and something just inspires an idea from that.
We're trying to get as many people to become interested in seeing it, but if you like the theater and you're interested in seeing what live theater looks like in New York, you probably already set your DVR. It's gonna be a hard ask to get a bunch of college-basketball fans to tune in for three hours to watch the Tonys.
We ["Mary and Jane"] did not want to be a weed show, like it is a bunch of people sitting around smoking.
I love the idea of live theater the best because you are sitting there with the community in the dark, looking at the light, and that's really - you can't get any higher than that.
I went to Northwestern in Chicago, in Evanston, and then I ended up trickling down in Chicago theater. I did a bunch of plays, but I was non-equity. For a lot of people, non-equity means you're not yet professional. But for me, if you're in a mainstream theater, you're doing something real.
There are people who are socially ambitious. If you go back aways, the Sculls, for instance, had a lot of money and they were socially ambitious. If you get an old master, it's not going to do you any good socially.
There's something about sitting face-to-face with an attorney in an office that enables people to come to grips with the very idea of divorce - or to reconsider the idea. Like a number of my colleagues - not all - I offer that preliminary consultation for free.
It's a very smart, progressive bunch, these people that make country music. They're not country hicks sitting behind a desk with a big cigar giving out record deals and driving round in Cadillacs with cattle horns on the front grille: it's a bunch of really wonderful, open-minded, great people down on Music Row that make this music.
Socializing is as exhausting as giving blood. People assume we loners are misanthropes, just sitting thinking, ‘Oh, people are such a bunch of assholes,’ but it’s really not like that. We just have a smaller tolerance for what it takes to be with others. It means having to perform. I get so tired of communicating.
You read a bunch of books and you get a bunch of how-tos, and you take a bunch of classes and you learn a bunch of techniques. You set yourself goals and benchmarks. I think people have imported that into their experience of taking care of children.
With my good friend Rob Penny, I founded the Black Horizons Theater in Pittsburgh with the idea of using the theater to politicize the community or, as we said in those days, to raise the consciousness of the people.
Did I become a theater person right then, sitting in the Imperial Theater, waiting for the high piccolo note at the start of 'Pippin'? Maybe.
I don't like sitting around in my dressing room very much. It feels a lot like theater.
I think open adoption is a great idea, because it allows a relationship between the birth mother and her child so that the kid isn't like, "Where did I come from?" And to have it be like, "Look, you have a bunch of people who love you."
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