A Quote by Willem de Kooning
I read somewhere that Rubens said students should not draw from life, but draw from all the great classic casts. Then you really get the measure of them, you really know what to do. And then, put in your own dimples. Isn't that marvelous!
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And you finally get to a consensus, where you get a sense of what really ought to be done, and then they give it to me and then I draw it. I mean draw it in the sense, the philosophical sense.
If you're stuck in a painting, then stop and draw something else. Draw a flower and put your love into that flower. Then your powers will come back again.
I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture everybody can understand it. If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower.
I get really worried, like if they say, 'Take vocal lessons,' or something because it's kind of like I used to really love to draw when I was a kid and then I took like an art class - because everyone said, 'Oh, you're so good, you should take a class and maybe you can be really good,' and then I went to the class and then they showed me how to use a ruler and perspective and all this stuff and it totally made me not want to do it at all.
I'm a self trained, autodidactic artist, so all I was ever trying to do was to draw as realistically as possible - but that's what comes out, because I don't really know how to draw! I think when I draw characters, I'm able to reduce them down to little marks that capture the most distinct elements of them.
Who doesn't want to draw Batman or Superman? Everyone would like to be able to draw them. I've been really lucky when it comes to the characters that I get to illustrate.
A draw is the lesser of two evils. A loss or a draw, then obviously we are going to take the draw.
Art is limitation; the essence of every picture is the frame. If you draw a giraffe, you must draw him with a long neck. If in your bold creative way you hold yourself free to draw a giraffe with a short neck, you will really find that you are not free to draw a giraffe.
You are allowed to draw lines even if your feelings are irrational. Part of the marvelous business of being an adult human is that you get to set your own boundaries for whatever reasons you like, without appending a sensible rationale to them.
If you're lucky enough to be famous, then it's great if you can use your fame and the power your fame gives you to draw attention to things that really matter.
When I talked to him earlier, he said he had to work tonight,” Peter explained, “but that we should go ahead and draw for him.” “Draw?” I asked uneasily. “Oh Lord. Tell me it’s not Pictionary night too.” Peter sighed wearily. “Draw for secret Santas. Do you even read the e-mails I send?” “Secret Santas? Seems like we just did that,” I said. “Yeah, a year ago,” said Peter. “Just like we do very Christmas.
I was teaching live drawing in a community college and students started zoning in on the face and spending a couple of hours on that and then putting the rest of the body on the face only in the last hour. It didn't work to just tell them, 'Well, you're really not thinking of the body as a totality.' So in desperation I would put a drape over the model's head so they couldn't see it. They had to draw the body and then at the end of the session for an hour I would take the drape off just to try to reverse their procedure.
My technique of working is I go around with my iPhone and with my sketchbook. I take thousands and thousands and thousands of iPhone photos. I also draw from life. I can draw really, really, really fast. It's a way that I build a rapport with people.
After the climb, you should feel no trace of tiredness; on the contrary, it is then that you should be really fresh. Then you will have found the correct measure of your abilities.
Usually I start with a concept, which I then sketch out so that I can get a feel for the character. The character doesn't really become real to me until I draw them.
Honestly, I think the key () has been, treat every assignment as if it’s your first one, you know? I think there is a misconception, especially that students have and I really make a point when I speak at schools to talk about the fact that you never really arrive. You are always working towards something but you never stop. I think there is this crazy idea that you get somewhere and then everything is cool.
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