A Quote by William-Adolphe Bouguereau
For me a work of art must be an elevated interpretation of nature. The search for the ideal has been the purpose of my life. In landscape or seascape, I love above all the poetic motif.
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If art is the poetic interpretation of nature, photography is the exact translation; it is exactitude in art or the complement of art. (1854)
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
...art must must carry man's craving for the ideal, must be an expression of his reaching out towards it; that art must give man hope and faith. And the more hopeless the world in the artist's version, the more clearly perhaps must we see the ideal that stands in opposition - otherwise life becomes impossible! Art symbolises the meaning of our existence.
It cannot for a moment be doubted that an art work to be alive, to awaken us to its life, to inspire us sooner or later with its purpose, must indeed be animate with a soul, must have been breathed upon by the spirit and must breathe in turn that spirit.
America ... holds up its way of life as the ideal for every nation, and seeks to impose its own standards of living - which many people think ridiculously and unwholesomely high - on others, partly of course in the search for markets. If it were openly stated that it was just a search for markets, that would be one thing, but it is not; by a tremendous propaganda campaign this materialistic conception is held up as an ideal, as somehow part of liberty, and above all, as a form of happiness.
In the search for meaning we must not forget that the gods (or God, for that matter) are a concept of the human mind; they are the creatures of man, not vice versa. They are needed and invented to give meaning and purpose to the struggle that is life on Earth, to explain strange and irregular phenomena of nature, haphazard events and, above all, irrational human conduct. They exist to bear the burden of all things that cannot be comprehended except by supernatural intervention or design.
I value above all the ability of art to move me emotionally and psychically, without answers. I make art that makes me question, that derives its power from being vulnerable to interpretation, that is intuitive, that is beautiful.
Art must be in touch with nature - and wherever that touch is gone, Art degenerates - yet it must be above nature.
My work has never been autobiographical. Although the subjects are driven on a personal perspective it's sort of elevated above me. I try to express something that is more a collective expression of crisis.
Man is eminently a storyteller. His search for a purpose, a cause, an ideal, a mission and the like is largely a search for a plot and a pattern in the development of his life story - a story that is basically without meaning or pattern.
Our stories are all stories of searching. We search for a good self to be and for good work to do. We search to become human in a world that tempts us always to be less than human or looks to us to be more. We search to love and to be loved. And in a world where it is often hard to believe in much of anything, we search to believe in something holy and beautiful and life-transcending that will give meaning and purpose to the lives we live.
Nothing, indeed, is more dangerous to the young artist than any
conception of ideal beauty: he is constantly led by it either into
weak prettiness or lifeless abstraction: whereas to touch the
ideal at all you must not strip it of vitality. You must find it in life and re-create it in art.
Whoever accepts the higher mission of art and comes nearer and nearer to it through his creative activity, will then go on from art to the Spirit deep within his own self... The philosophic search for enlightenment and the artist's search for perfection of work can meet and unite. Art can be a path to spiritual enlightenment but not to complete and lasting enlightenment. It can be born out of, and can give birth itself to, only Glimpses. For art is a search for beauty, which by itself is not enough. Beauty must be supported by virtue and both require wisdom to guide them.
Because art as a pursuit, as a concept, as an ideal, constantly elevates one above the pragmatic, one is inclined to discuss art in heightened terminologies. For me, it is just what I do all day long.
Work is rich. It can be looked at psychologically or philosophically or personally. The interpretive nature of work is different than the work itself. The interpretation of work isn't the key to understanding it. I'm worried about making a good sculpture. I'm not so worried about the interpretation of it.
Decision is often the difference between greatness and mediocrity. In every man's life there comes a time when he must search for a cause, a work, an ideal to which he can give himself. Whether he says 'Yes' or 'No' to the challenge will determine his future.
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