A Quote by William Alexander Percy

It is a very nice world-that is, if you remember that while morals are all-important between the Lord and His creatures, what counts between one creature and another is good manners.
This is another thing which I really like investigating in my novels: what is it that makes an intimate society, that makes a society in which moral concern for others will be possible? Part of that I think are manners and ritual. We tried to get rid of manners, we tried to abolish manners in the '60s. Manners were very, very old-fashioned and un-cool. And of course we didn't realise that manners are the building blocks of proper moral relationships between people.
There is more difference between a zebra and a horse, or between a dolphin and a porpoise, than there is between you and the furry creatures your distant ancestors left behind when they set out to take over the world.
My practice is focused on bodies and relationships; the relationships between people and other creatures, between people and our bodies, between creatures and the environment, between the artificial and the natural.
I'm very pessimistic about adaptations from one medium to another. I've got a very kind of primitive, Puritan view of it. I tend to think that if something was derived for one medium, then there's no real immediate reason to think that it's necessarily going to be as good or better if adapted into another one. There have been very good stage plays that have made some very good films. But there are not so many differences between the theater and the cinema as there are between the cinema and, say, reading a book or reading a comic.
Remember, if the time should come when you have to make a choice between what is right and what is easy, remember what happened to a boy who was good, and kind, and brave, because he strayed across the path of Lord Voldemort. Remember Cedric Diggory.
My future husband was becoming to me my whole world; and more than the world: almost my hope of heaven. He stood between me and every thought of religion, as an eclipse intervenes between man and the broad sun. I could not, in those days, see God for His creature: of whom I had made an idol.
It's really important for children to have good morals and good manners, and that they're thoughtful of other people and that they learn the consequences of their actions.
I do not believe there is any important difference between men and women - certainly not as much as they may be between one woman and another or one man and another.
A good working relationship between an actor and the director is very important. It takes a while to build a comfort zone because filmmaking is a long process so it is important to connect with people you work with.
The duel between Christianity and atheism is the most important in the world, and the struggle between individualism and collectivism is the same struggle reproduced on another level.
We are justified in enforcing good morals, for they belong to all mankind; but we are not justified in enforcing good manners, for good manners always mean our own manners.
I think the contrast between these two in the professional world of cinema mattered to me. One who has reached the ultimate point of being a star, who knows how to do everything very well, facing another person who would throughout the making of the film transfer his anxiety to both of us, to me and to Juliette, as to whether or not he would be capable of fulfilling his role. This in itself created a challenge that was actually very good for me, since I hadn't ever counterposed two such performers before, creating that challenge between someone who knows their part and someone who doesn't.
In this world, there is no absolute good, no absolute evil," the man said. "Good and evil are not fixed, stable entities, but are continually trading places. A good may be transformed into an evil in the next second. And vice versa. Such was the way of the world that Dostoevsky depicted in The Brothers Karamazov. The most important thing is to maintain the balance between the constantly moving good and evil. If you lean too much in either direction, it becomes difficult to maintain actual morals. Indeed, balance itself is the good.
Good company requires only birth, education, and manners, and with regard to education is not very nice. Birth and good manners are essential; but a little learning is by no means a dangerous thing in good company; on the contrary, it will do very well.
I love that contradiction between the ugly and the nice. It's shot in a very gourmet way in the Perfume: The Story Of A Murderer. But then Grenouille doesn't differentiate between what's commonly considered to be good smells and bad. He just takes it all, like a true collector does.
Good manners can replace morals. It may be years before anyone knows if what you are doing is right. But if what you are doing is nice, it will be immediately evident.
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