A Quote by William Alfred Sergeant

I just like the idea of this creature or a being on the roof, you know? It's kind of spooky. — © William Alfred Sergeant
I just like the idea of this creature or a being on the roof, you know? It's kind of spooky.
The whole idea of being mesmerized and not in control of your own actions is fascinating and a little spooky. I remember hearing about someone who'd gone to a magic act, and a person in the audience had become hypnotized by observing too closely what magician was doing on stage, and thought it was spooky to lose your consciousness that way.
A text makes the word more specific. It really kind of defines it within the context in which it is being used. If it is just taken out of a context and presented as a sort of object, which is what - you know, which is a contemporary art idea, you know. It is like an old surrealist idea or an old cubist idea to take something out of context and put it in a completely different context. And it sort of gives it a different meaning and creates another world, another kind of world in which we enter.
I find myself being quite cynical - and I think we all kind of are - towards the idea that it's associated with being a musician; you know... the kind of rock-star attitude. So, I hope that people know it's a joke.
You know, an idea is just an idea. There seems to... the kind of epiphanies that you have, like the little sudden bursts of light, they're very small and they're very short and it's the pursuit of the idea that's the important thing. . . . I know a lot of people who have way better ideas than I do that-much more frequently than I do that just can't sit down and actually do it. Ideas are such are a little overrated really; it's the work behind the idea that's the important thing.
So, one, that DJ Spooky is a lot you know this sort of wilder persona and then Paul Miller is more of a nuts and bolts kind of person, meaning just making sure all these things work.
The hardest thing about being a guy is that women don't accept that you really are just a simple, pathetic, labrador retriever-like creature. That we live in a world were women actually expect you to think thoughtful thoughts, and have real emotions, which we don't have. Having to try to live up to the imaginary ideal that women have of what men are, instead of just being what you are, which is just a pathetic creature, but still.
I'm kind of claustrophobic... It's not even like enclosed spaces. It's like I hate being stuck in one band, you know? Just being stuck is the biggest drag, for fear that, you know, just that you can't get out.
Its funny because when I did feel like I came out and I just felt like I was being truthful to myself, (it was at) that point I became very successful. So you know, it took a true kind of facing that truth of myself and being honest, that was when the real kind of fame or whatever that kind of stuff happened for me.
I remember being in my house from when I was, like, five to when I was, like, 12. When hurricanes would happen, you just hold hands, and you say, 'You know what, we have each other. We're praying,' and this roof can literally peel off of your house.
So many times I've encountered people who are just kind of like, 'Yeah, Nigeria,' and, you know, thump their chest and seem very sure of, like, being Nigerian. And I'm just kind of, like, I wish I could be that sure.
In 10 years, I don't really know what I'll be, and I like not having any idea. I like the idea of being so passionate about everything I do and the fact that I might wake up tomorrow and say 'I want to be a chef,' and just pour myself into that.
[I've gone to big stadium rock concerts at some artist's invitation], and eventually you find yourself in the room with the Radiant Being around whom all this is revolving. It's very bizarre, and it's quasi-religious, or possibly genuinely religious. Spooky. It's a spooky and interesting thing.
The idea of being in a hugely successful movie that I don't like would be just as bad as being in a film that I love that no one sees. I wouldn't want the kind of success that felt cheap or that I didn't own.
I think by take eight you're kind of going, "Oh, wow, I don't know if I want to fall entirely off the roof again." That stuff is tough, and I'm also not 21 anymore. I just don't like cement. Cement isn't hilarious any more.
I kind of feel like I have grown as just like a human being as a human being by being able to adapt and adjust and know that like you can't ever rest on your laurels, you have to sort of wake up; you actually have to be present.
I like the idea of it as a trickster motif. You know like you're kind of just messing around with people's memories of songs.
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