A Quote by William Anders
I think the thing that impressed me the most was the Lunar's sunrises and sunsets. These in particular bring out the stark nature of the terrain. . . . The horizon here is very, very stark, the sky is pitch black and the earth, or the moon rather, excuse me, is quite light, and the contrast between the sky and the moon is a vivid dark line.
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The Moon was the most spectacularly beautiful desert you could ever imagine. Unspoilt. Untouched. It had a vibrancy about it and the contrast between it and the black sky was so vivid, it just made this impression of excitement and wonder.
Tonight the sky was utterly black. Perhaps there was no moon tonight—a lunar eclipse, a new moon. A new moon. I shivered, though I wasn't cold.
The road to Manderley lay ahead. There was no moon. The sky above our heads was inky black. But the sky on the horizon was not dark at all. It was shot with crimson, like a splash of blood. And the ashes blew towards us with the salt wind from the sea.
The sky aft was dark as pitch, but the moon still shone brightly ahead of us and lit up the blackness. Beneath its sheen a huge white-topped breaker, twenty feet high or more, was rushing on to us. It was on the break-the moon shone on its crest and tipped its foam with light. On it rushed beneath the inky sky, driven by the awful squall behind it.
What was supposed to be so special about a full moon? It was only a big circle of light. And the dark of the moon was only darkness. But halfway between the two, when the moon was between the worlds of light and dark, when even the moon lived on the edge...maybe then a witch could believe in the moon.
Standing on the Moon looking back at Earth - this lovely place you just came from - you see all the colours, and you know what they represent. Having left the water planet, with all that water brings to Earth in terms of colour and abudance life, the absence of water and atmosphere on the desolate surface of the Moon gives rise to a stark contrast.
From the distance of the moon, Earth was four times the size of a full moon seen from Earth. It was a brilliant jewel in the black velvet sky.
The moon is whole all the time, but we can’t always see it. What we see is an almost moon or not-quite moon. The rest is hiding just out of view, but there’s only one moon, so we follow it in the sky. We plan our lives based on its rhythms and tides.
When we will all see our role in society as servants, we will all light up the sky together like countless stars on a dark night. Don’t think of society as the sky on a full moon night. The moon’s harsh light blinds us to the true and humble work of the stars. But on a moonless night, the true servants shine forth, as though they are connected invisibly in this vast and infinite cosmos.
The moon is dark, and the gods dance in the night; there is terror in the sky, for upon the moon hath sunk an eclipse foretold in no books of men or of earth's gods.
Everything looks stark and vivid and frozen, as though drawn precisely and outlined in ink - parents' smiles frozen, camera flashes blinding, mouths open and white teeth glinstening, dark glossy hair and deep blue sky and unrelenting light, everyone drowning in light - everything so clear and perfect I'm sure it must already be a memory, or a dream.
What beauty. I saw clouds and their light shadows on the distant dear earth.... The water looked like darkish, slightly gleaming spots.... When I watched the horizon, I saw the abrupt, contrasting transition from the earth's light-colored surface to the absolutely black sky. I enjoyed the rich color spectrum of the earth. It is surrounded by a light blue aureole that gradually darkens, becoming turquiose, dark blue, violet, and finally coal black.
It's that moon again, slung so fat and low in the tropical night, calling out across a curdled sky and into the quivering ears of that dear old voice in the shadows, the Dark Passenger, nestled snug in the backseat of the Dodge K-car of Dexter's hypothetical soul. That rascal moon, that loudmouthed leering Lucifer, calling down across the empty sky to the dark hearts of the night monsters below, calling them away to their joyful playgrounds.
The spectacle of the sky overwhelms me. Im overwhelmed when I see, in an immense sky, the crescent of the moon, or the sun. There, in my pictures, tiny forms in huge empty spaces. Empty spaces, empty horizons, empty plains - everything which is bare has always greatly impressed me.
The exciting part for me, as a pilot, was the landing on the moon. That was the time that we had achieved the national goal of putting Americans on the moon. The landing approach was, by far, the most difficult and challenging part of the flight. Walking on the lunar surface was very interesting, but it was something we looked on as reasonably safe and predictable. So the feeling of elation accompanied the landing rather than the walking.
When you head on out to the Moon, in very short order, and you get a chance to look back at the Earth, that horizon slowly curves around in upon himself, and all of sudden you're looking at something that is very strange, but yet is very, very familiar, because you're beginning to see the Earth evolve.
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