A Quote by William Bartram

My progress was rendered delightful by the sylvan elegance of the groves, chearful meadows, and high distant forests, which in grand order presented themselves to view. — © William Bartram
My progress was rendered delightful by the sylvan elegance of the groves, chearful meadows, and high distant forests, which in grand order presented themselves to view.
Westminster Abbey, the Tower, a steeple, one church, and then another, presented themselves to our view; and we could now plainly distinguish the high round chimneys on the tops of the houses, which yet seemed to us to form an innumerable number of smaller spires, or steeples.
The imagination of man is naturally sublime, delighted with whatever is remote and extraordinary, and running, without control, into the most distant parts of space and time in order to avoid the objects, which custom has rendered too familiar to it.
Our village life would stagnate if it were not for the unexplored forests and meadows which surround it.
Could the waters of the Atlantic be drawn off, so as to expose to view this great sea-gash, which separates continents, and extends from the Arctic to the Antarctic, it would present a scene the most rugged, grand, and imposing. The very ribs of the solid earth, with the foundations of the sea, would be brought to light, and we should have presented to us at one view the empty cradle of the ocean.
All writers, in all viewpoints, must choose which information and scenes will be presented, and in which order. In that sense, the author is always represented as a point of view in a work of fiction. His hand can always be detected by the discerning.
The Venturer is one who keeps his eye on the hedgerows and wayside groves and meadows while he travels the road to Fortune.
The only ends for which governments are constituted, and obedience rendered to them, are the obtaining of and protection; and they who cannot provide for both give the people a right of taking such ways as best please themselves, in order to their own safety.
The natural progress of the works of men is from rudeness to convenience, from convenience to elegance, and from elegance to nicety.
For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves.
Elegance is reduction, simplification, condensation. It is spare, stark, sleek. Elegance is cultivated abstraction. The source of Greek and Roman classicism - clarity, order, proportion, balance - is in Egypt.
And beyond the timeless meadows and emerald pastures, the rabbit holes and moss-covered oak and rowan trees and the "slippy sloppy" houses of frogs, the woodland-scented wind rushed between the leaves and blew around the gray veil that dipped below the fells, swirling up in a mist, blurring the edges of the distant forest. (View from Windermere in the Lake District)
As you walk through forests or the meadows of your mind, Stop and talk to those you fear Good friendships you may find
Perhaps he had to be close in order to keep a reason for the things he did. To make the things he did be themselves Life. And not merely a delightful exercise of technical skill which man had been able to achieve because he, of all the animals, had a fine thumb. Which is nonsense, for whatever you live is Life.
Mesarovic and Pestel are critical of the Forrester-Meadows world view, which is that of a homogeneous system with a fully predetermined evolution in time once the initial conditions are specified.
I would see my hometown, Los Angeles, change. Green space and orange groves gave way to cement, freeways flooded with traffic, and air pollution, all in the name of "progress." I felt like I was losing my home. It had a profound effect on me, and I realized just how important nature was to my spirit, my soul, my point of view.
In saying no to progress, it is not the future which they condemn, but themselves. They give themselves a melancholy disease; they inoculate themselves with the past. There is but one way of refusing tomorrow, that is to die.
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