A Quote by William Baziotes
There is always an unconscious collaboration among artists.. ..the artist who imagine himself a Robinson Crusoe is either a primitive or a fool.
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[Robinson Crusoe] is the true prototype of the British colonist. The whole Anglo-Saxon spirit is in Crusoe: the manly independence, the unconscious cruelty, the persistence, the slow yet efficient intelligence, the sexual apathy, the calculating taciturnity.
And now I was lonelier, I supposed, than anyone else in the world. Even Defoe's creation, Robinson Crusoe, the prototype of the ideal solitary, could hope to meet another human being. Crusoe cheered himself by thinking that such a thing could happen any day, and it kept him going. But if any of the people now around me came near I would need to run for it and hide in mortal terror. I had to be alone, entirely alone, if I wanted to live.
When I was ten and in fifth grade, I read all of 'Robinson Crusoe' in one weekend.
I began reading everyhing in the family library. Kidnapped, Treasure Island, Robinson Crusoe. And of course, if you're running out of books to read you can always read Shakespeare.
Robinson Crusoe, the self-sufficient man, could not have lived in New York city.
Robinson had a servant even better than Friday: His name was Crusoe.
No longer will you be a weird Robinson Crusoe, imprisoned on an island of night surrounded by oceans of death.
I'm very much into collaboration. I think that collaboration is the road to making something great. I respect artists that are more autocrats and are in control of their own projects, but it's not really my style. I've always had that partnership.
The poet who writes "free" verse is like Robinson Crusoe on his desert island: he must do all his cooking, laundry and darning for himself. In a few exceptional cases, this manly independence produces something original and impressive, but more often the result is squalor - dirty sheets on the unmade bed and empty bottles on the unswept floor.
Was there ever yet anything written by mere man that was wished longer by its readers, excepting Don Quixote, Robinson Crusoe, and the Pilgrim's Progress?
I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.
We live in a global village. No country can live in isolation of others like Robinson Crusoe.
I was born in the Year 1632, in the City of York, of a good Family, tho' not of that Country, my Father being a Foreigner of Bremen, who settled first at Hull; He got a good Estate by Merchandise, and leaving off his Trade, lived afterward at York, from whence he had married my Mother, whose Relations were named Robinson, a very good Family in that Country, and from whom I was called Robinson Kreutznaer; but by the usual Corruption of Words in England, we are now called, nay we call ourselves, and write our Name Crusoe, and so my Companions always call'd me.
The appeal of travel books is also the sense that you are different, an outsider, almost like the Robinson Crusoe or Christopher Columbus notion of being the first person in a new place.
Which class is happiest, the rich, the middle class or the poor? A very successful executive of a large organization touches upon this vital subject in a long letter to all his salesmen. He uses as his text a passage from Robinson Crusoe which included this: ""My Father bid me observe it, and I should always find that the calamities of life were shared among the upper and lower part of mankind; but that the middle station had the fewest disasters, and were not exposed to so many vicissitudes as the higher or lower part of mankind.
But there comes a moment in everybody's life when he must decide whether he'll live among the human beings or not - a fool among fools or a fool alone.
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