A Quote by William Benton Clulow

Error is sometimes so nearly allied to truth that it blends with it as imperceptibly as the colors of the rainbow fade into each other. — © William Benton Clulow
Error is sometimes so nearly allied to truth that it blends with it as imperceptibly as the colors of the rainbow fade into each other.
'Color' is quite different from 'colors.' In an image with many colors, we find that all the colors compete with each other rather than interacting with each other. The results" colors.
Each band or level, being a particular manifestation of the spectrum, is what it is only by virtue of the other bands. The color blue is no less beautiful because it exists along side the other colors of a rainbow, and "blueness" itself depends upon the existence of the other colors, for if there were no color but blue, we would never be able to see it.
There never is any such thing as one truth to be found in dramatic art. There are many. These truths challenge each other, recoil from each other, reflect each other, ignore each other, tease each other, are blind to each other. Sometimes you feel you have the truth of a moment in your hand, then it slips through your fingers and is lost.
Error is a supposition that pleasure and pain, that intelligence, substance, life, are existent in matter. Error is neither Mind nor one of Mind's faculties. Error is the contradiction of Truth. Error is a belief without understanding. Error is unreal because untrue. It is that which stemma to be and is not. If error were true, its truth would be error, and we should have a self-evident absurdity -namely, erroneous truth. Thus we should continue to lose the standard of Truth.
How oddly do life and death jostle each other in this strange world of ours! How nearly allied are smiles and tears!
It is too often believed that a person in his progress towards perfection passes from error to truth; that when he passes on from one thought to another, he must necessarily reject the first. But no error can lead to truth. The soul passing through its different stages goes from truth to truth, and each stage is true; it goes from lower truth to higher truth.
The rainbow is a part of nature, and you have to be in the right place to see it. It's beautiful, all of the colors, even the colors you can't see. That really fit us as a people because we are all of the colors. Our sexuality is all of the colors. We are all the genders, races, and ages.
The sage has the sun and moon by his side and the universe under his arm. He blends everything into a harmonious whole. . . . He blends the disparities of ten thousand years into one complete purity. All things are blended like this and mutually involve each other.
What the world stigmatizes as romantic is often more nearly allied to the truth than is commonly supposed.
I am always in the hope to express the love of two lovers by a marriage of two complementary colors - colors which marry each other... complement each other as a man and a woman do.
Error's monstrous shapes from earth are driven They fade, they fly--but truth survives the flight.
If you disturb the colors of the rainbow, the rainbow is no longer beautiful.
Victor Faust did much more than help me escape a life of abuse and servitude. He changed me. He changed the landscape of my dreams, the dreams I had every day about living ordinarily and free and on my own. He changed the colors on the palette from primary to rainbow—as dark as the colors of that rainbow may be.
Three weeks ago, he’d seen hail fall from the sky, only to be followed minutes later by a spectacular rainbow that seemed to frame the azalea bushes. The colors, so vivid they seemed almost alive, made him think that nature sometimes sends us signs, that it’s important to remember that joy can always follow despair. But a moment later, the rainbow had vanished and the hail returned, and he realized that joy was sometimes only an illusion.
There is no such thing as absolute truth and absolute falsehood. The scientific mind should never recognise the perfect truth or the perfect falsehood of any supposed theory or observation. It should carefully weigh the chances of truth and error and grade each in its proper position along the line joining absolute truth and absolute error.
The world always makes the assumption that the exposure of an error is identical with the discovery of truth - that error and truth are simply opposite. They are nothing of the sort. What the world turns to, when it has been cured of one error, is usually simply another error, and maybe one worse than the first one.
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