A Quote by William Benton Clulow
Many of the finest and most interesting emotions perish forever, because too complex and fugitive for expression. Of all things relating to man, his feelings are perhaps the most evanescent, the greater part dying in the moment of their birth. But while emotions perish, thought blended in diction is immortal.
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Lacking a shared language, emotions are perhaps our most effective means of cross-species communication. We can share our emotions, we can understand the language of feelings, and that's why we form deep and enduring social bonds with many other beings. Emotions are the glue that binds.
Everyone has a moment in history which belongs particularly to him. It is the moment when his emotions achieve their most powerful sway over him, and afterward when you say to this person "the world today" or "life" or "reality" he will assume that you mean this moment, even if it is fifty years past. The world, through his unleashed emotions, imprinted itself upon him, and he carries the stamp of that passing moment forever.
The culture and educational system of the contemporary West are based almost exclusively upon the training of the reasoning brain and, to a lesser degree, of the aesthetic emotions. Most of us have forgotten that we are not only brain and will, senses and feelings; we are also spirit. Modern man has for the most part lost touch with the truest and highest aspect of himself; and the result of this inward alienation can be seen all too plainly in his restlessness, his lack of identity and his loss of hope.
Language and emotions are too easily misread. For example, laughing can mean many things: laughing with you or at you. Does that laugh reflect joy, anger, or that s/he's about to fire you? Too many jobs require complex feelings, pattern recognition, common sense, and the human touch.
Staying where you now are, you must perish; coming to Christ, you can but perish; coming to Christ, no one ever did perish; while you sit still and starve, there is bread enough and to spare in your Father's house. Will you return?
I experience so many feelings and emotions when I tour. It's the most amazing and also the most lonely thing you can do.
I connect music to the emotions that come from relationships, so most of the songs that I write are inspired by those circumstances, emotions, feelings, all that kind of stuff.
It's not about facts, it's about feelings. It's about remembering feelings and happiness. A definition of art is that it makes concrete our most subtle emotions. I think the highest form of art is music. It's the most abstract of all art expression.
Sometimes people think that regulating their emotions means trying to act as if they don't have feelings. But, that's not the case. A realistic view of emotions shows that we're capable of experiencing a wide range of emotions, but we don't have to be controlled by those emotions.
Shadow had heard too many people telling each other not to repress their feelings, to let their emotions out, let the pain go. Shadow thought there was a lot to be said for bottling up emotions. If you did it long enough and deep enough, he suspected, pretty soon you wouldn't feel anything at all.
You can't perish because of your own feelings; you have to embrace those things as an actor because it's part of your palette.
How many great ones may remember'd be,
Which in their days most famously did flourish,
Of whom no word we hear, nor sign now see,
But as things wip'd out with a sponge do perish,
Because the living cared not to cherish
No gentle wits, through pride or covetize,
Which might their names forever memorize!
This place was truly the highest and the lowest of all worlds - the most beautiful senses, the most exquisite emotions.. the most malevolent desires, the darkest deeds. Perhaps it was meant to be so. Perhaps without the lows, the highs could not be reached.
If a drought strikes them, animals perish--man builds irrigation canals; if a flood strikes them, animals perish--man builds dams; if a carnivorous pack attacks them, animals perish--man writes the Constitution of the United States.
Too-lateness, I realized, has nothing to do with age. It’s a relation of self to the moment. Or not, depending on the person and the moment. Perhaps there even comes a time when it’s no longer too late for anything. Perhaps, even, most times are too early for most things, and most of life has to go by before it’s time for almost anything and too late for almost nothing. Nothing to lose, the present moment to gain, the integration with long-delayed Now.
Such is the frailty of man that even where he makes the truest and most forcible impression in the memory, in the heart of his beloved, there also he must perish.
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