A Quote by William Blake
If you cannot imagine with the mind's eye much more than you can see with the mortal eye, you have a very poor imagination indeed.
Related Quotes
Experience teaches that when the will and imagination are in conflict, the imagination usually wins. What we imagine may defeat our reason and make us slaves to what we taste, see, hear, smell, and feel in the mind's eye. The body is indeed the servant of the mind.
The contemporary artist...is not bound to a fully conceived, previsioned end. His mind is kept alert to in-process discovery and a working rapport is established between the artist and his creation. While it may be true, as Nathan Lyons stated, 'The eye and the camera see more than the mind knows,' is it not also conceivable that the mind knows more than the eye and the camera can see?
Where the eye is focused, there the imagination finds its raw material. The right focus must be won at immense cost and discipline. Train the eye to see the good, and the imagination will follow suit.
Half the fun is getting to play dress-up and imagine what it's like to be this other person. If you're not excited about a part where you get to use your imagination, then what's the point in doing it? It'll be just another job. Also, Director Michael Pressman and I see eye-to-eye with Marie.
Words are substance strange. Speak one and the air ripples into another's ears. Write one and the eye laps it up. But the sense transmutes, and the spoken word winds through the ear's labyrinth into a sense that is no longer the nerve's realm. The written word unfolds behind the eye into the world, world's image, and the imagination sees as the eye cannot see-thoughtfully.
None of the chase scenes that I did had any opticals. We had to do all of that physically. The first thing you have to do is see it in your mind's eye. You have to envision it. Imagine someone knitting a sweater or a scarf. They either have a pattern in front of them, or they see a pattern in their mind's eye. Then it's one stitch at a time. That's what shooting a chase is like.
He who does not imagine in stronger and better lineaments, and in stronger and better light than his perishing and mortal eye can see, does not imagine at all.
We live less than the time it takes to blink an eye, if we measure our lives against eternity. So it may be asked what value is there to a human life. There is so much pain in the world. What does it mean to have to suffer so much, if our lives are nothing more than the blink of an eye?...I learned a long time ago, Reuven, that a blink of an eye in itself is nothing; but the eye that blinks, that is something.
Should I tell you one thing, I am blind from my right eye. I see only from my left eye. The one you see is someone else's eye which was donated to me after his death. If I close my left eye, I can see no one.
The eye is a very quick instrument, much quicker than the ear. The eye gets it immediately
The eye is a very quick instrument, much quicker than the ear. The eye gets it immediately.
On a spiritual level, it's as though with my sighted eye I see what's before me, and with my unsighted eye I see what's hidden. It's illuminated life more than darkened it.
Storytelling strengthens the imagination. To imagine is to envision, to see with the inward eye. This ability to imagine is the basis of all creativity. Creativity is being able to see beyond what is readily apparent. It is seeing a new answer to an old problem.
Serving people we don't see eye to eye with is the essence of Christianity. Jesus died for a world with which he didn't see eye to eye. If a bakery doesn't want to sell its products to a gay couple, it's their business. Literally. But leave Jesus out of it.
If you close one eye and imagine a bright light constantly in front of the other eye, your vision is compromised. You can only see about 30 percent of what you should be able to see.
The artist does not see both eyes alike. There is always 'the eye' and the other eye... It adds life and plasticity to the drawing if the eye in the light is darker than the one in the shadow. It gives the head vividness.
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