Piping down the valleys wild, Piping songs of pleasant glee, On a cloud I saw a child, And he laughing said to me: "Pipe a song about a Lamb." So I piped with merry cheer; "Piper, pipe that song again." So I piped; he wept to hear.
Religion, like water, may be free, but when they pipe it to you, you've got to help pay for piping. And the Piper!
Religion, like water, may be free, but when they pipe it to you, you've got to help pay for the piping. And the piper.
...I leaped headlong into the Sea, and thereby have become more acquainted with the Soundings, the quicksands, and the rocks, than if I had stayed upon the green shore, and piped a silly pipe, and took tea and comfortable advice.
The famous pipe. How people reproached me for it! And yet, could you stuff my pipe? No, it's just a representation, is it not? So if I had written on my picture “This is a pipe”, I'd have been lying!
I like to smoke a pipe, because it's the punch line indicator. Whenever I take a hit of the pipe, you should be laughing.
Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.
Certainly, Continental has taken advantage of pipe and sponsored pipeline projects where we could. As a historic shipper, we have put a lot of oil on pipe. We have over half of our oil on pipe coming out of the Bakken. We feel good about that.
I don't really have a set-in-stone process or formula. Sometimes the melody is there and I have to chase down the lyrics. Sometimes, the song is there and I have to make the melody fit. What I've learned so far about songwriting is that I can't force a song. If I try to do that, it's hollow, and people know a hollow song when they hear it. It's the song they stop listening to and forget about. I'd prefer not to write those kinds of songs.
But it is a pipe." "No, it's not," I said. It's a drawing of a pipe. Get it? All representations of a thing are inherently abstract. It's very clever.
Fairies, arouse! Mix with your song Harplet and pipe, Thrilling and clear, Swarm on the boughs! Chant in a throng! Morning is ripe, Waiting to hear.
Here's some free advice; like the folkies of yore, you need to be not just a writer of songs, you need to be a lover of songs, a listener of songs and a collector of songs. If you hear a song in a club that knocks you out or you hear an old recording of a great song you never knew existed, it does not diminish you to record it; it actually exalts you because you have brought a great song from obscurity to the ear of the public.
I played upright bass. I wanted to write great tunes, play the bass, be a band leader, and smoke a big funny pipe like Charlie Mingus. So I went out and bought the pipe when I was around 18 or 19 years old. You know even women smoke a pipe in Glasgow. I worked with Carla Bley and she smoked a pipe, which I find fascinating.
Into the street the piper stepped, Smiling first a little smile As if he knew what magic slept In his quiet pipe the while. And the piper advanced And the children followed.
It's incredibly important to me that you remember a song right after the first or second time you hear it. That something sticks to you, something that makes you feel, 'I need to hear that song again.' That's fundamental. Something you want again. And again.
You hear a song like 'Wait For It,' you hear a song like 'Dear Theodosia' - if you get one of those songs in a musical - one - it's worth dropping everything to sing that one song.
A pipe is greater than a bong. Because when you're smoking a pipe at least it makes you look like you're thinking about something.