A Quote by William Bolitho

A very beautiful woman hardly ever leaves a clear-cut impression of features and shape in the memory: usually there remains only an aura of living color — © William Bolitho
A very beautiful woman hardly ever leaves a clear-cut impression of features and shape in the memory: usually there remains only an aura of living color
Wakefulness is the only saintliness there is, and sleepiness, unconsciousness, is the only sin there is; all other sins are born out of it. Cut the root, cut the very root! Don't go on pruning the leaves.
What I wanted to do was put a woman of color, front and center, in my movie combining a lot of themes that were relevant to both men and women. I actively wanted her to carry the weight of this movie because I'm a woman. And I actively wanted to explore many of the issues that affected her as a woman of color. That was very important to me. And although these issues affect some women of color, I don't think they're only of interest to women of color. They're of universal interest.
The memory of past favors is like a rainbow, bright, vivid, and beautiful; but it soon fades away. The in memory of injuries is engraved on the heart, and remains forever.
The ideal woman which is in every man's mind is evoked by a word or phrase or the shape of her wrist, her hand. The most beautiful description of a woman is by understatement. Remember, all Tolstoy ever said to describe Anna Karenina was that she was beautiful and could see in the dark like a cat. Every man has a different idea of what's beautiful, and it's best to take the gesture, the shadow of the branch, and let the mind create the tree.
Have you ever been in love? Stay well clear. It leaves you very bitter and very twisted.
Champagne is the only drink that leaves a woman still beautiful after drinking it.
My experience as a black woman in the industry is simply that often I was the only one in the room. Often I would be the only woman and the only person of color. Sometimes I would be one of several women but the only person of color. Sometimes I would be one of several people of color, but the only woman.
We have a memory cut in pieces. And I write trying to recover our real memory, the memory of humankind, what I call the human rainbow, which is much more colorful and beautiful than the other one, the other rainbow.
One very clear impression I had of all the Beautiful People was their prudence. It may be that they paid for their own airline tickets, but they paid for little else.
I contend that every woman has the right to feel beautiful, no matter how scrambled her features, or how indifferent her features.
No woman should have a memory. Memory in a woman is the beginning of dowdiness. One can always tell from a woman's bonnet whether she has got a memory or not.
If you are a senior woman in business, you intuitively know two things: If a white man promotes a woman or a person of color, he gets credit for it. If a woman says great things about a woman, you get dinged for it. Research is clear on this.
The very formal, beautiful, composed order that I make with paint and color is freighted with objects, but like leaves falling from a tree onto a lawnmower below, the edges of this 'thing' have a certain serendipity.
There's a huge challenge around coral bleaching specifically, because when most people think about coral, they think about the beautiful, white sculpture sitting on their mantle. And it looks so pristine and clean and beautiful. It's not supposed to look like that when it's in the ocean. It has color, it has animal flesh living on it, it has plants living inside of that. They look very, very different when they're healthy in the ocean than they do when they're sitting in somebody's home.
I tend not to trust people who live in very tidy houses. I know that on the surface there is nothing wrong with a person being well-ordered and disciplined. Nothing, except that it leaves the impression of that person having lived in the confines of a stark institution which, although he or she has long since left, remains within.
A good writer gets better only by learning to cut, to remove the ornamental, the descriptive, the narrative, and especially the deeply felt and meaningful. What remains? The story remains.
This site uses cookies to ensure you get the best experience. More info...
Got it!