A Quote by William Boyd

In the broad spectrum of the arts, two worlds rarely overlap - the literary world and the world of rock music. — © William Boyd
In the broad spectrum of the arts, two worlds rarely overlap - the literary world and the world of rock music.
I've always written towards movies that take place across two worlds. Most of the movies that I've worked on take place in two worlds, or sometimes three worlds, where you have a normal world and a fantasy world that mix and overlap. I never shy away from the series stuff in the real world. Big Fish is about mortality.
There are only two worlds - your world, which is the real world, and other worlds, the fantasy. Worlds like this are worlds of the human imagination: their reality, or lack of reality, is not important. What is important is that they are there. these worlds provide an alternative. Provide an escape. Provide a threat. Provide a dream, and power; provide refuge, and pain. They give your world meaning. They do not exist; and thus they are all that matters.
The seat of the soul is where the inner world and the outer world meet. Where they overlap, it is in every point of the overlap.
For us, it is all about breaking the boundaries between different genres of music and combining different styles of music and performing what we are passionate about. We are so lucky that we can experience both worlds: the more intimate classical world and the wild and crazy world of rock n' roll.
We do not live in several different, or even two different, worlds, a mental world and a physical world, a scientific world and a world of common sense. Rather, there is just one world; it is the world we all live in, and we need to account for how we exist as part of it.
I had the idea that there were two worlds. There was a real world as I called it, a world of wars and boxing clubs and children'shomes on back streets, and this real world was a world where orphans burned orphans.... I liked the other world in which almost everyone lived. The imaginary world.
So much of literary sci-fi is about creating worlds that are rich and detailed and make sense at a social level. We'll create a world for people and then later present a narrative in that world.
I will tell you one thing that will make you rich for life. There are two struggles: an Inner-world struggle and an Outer-world struggle...you must make an intentional contact between these two worlds; then you can crystallize data for the Third World, the World of the Soul.
What is design? It's where you stand with a foot in two worlds - the world of technology and the world of people and human purposes - and you try to bring the two together.
The provincial intellectual is doomed to arguing at low level... there is still no Australian literary world, not in Sydney, Melbourne, Adelaide. It is some consolation to realise that there is no literary world in Birmingham or Los Angeles either. I have heard there is one in Montreal, but I don't believe it. The literary world is in London and New York, the only cities big enough to sustain magazines which can afford to reject copy.
When we talk about music, we tend to place our experiences into one of two categories: making the music and listening to it. Delineating the two seems practical and obvious. In reality, though, there are a lot of opportunities for overlap, and it doesn't matter how you get into the music as long as you connect with it.
Only in rock music and the literary world you see so many ugly white guys with beautiful women. That says a lot about the women, their character. They're attracted to more than surface.
There are two worlds: the world we can measure with line and rule, and the world that we feel with our hearts and imagination.
There are two worlds: The world that we can measure with line and rule, and the world we feel with our hearts and imaginations.
There are two worlds, the world of desire and the world of enlightenment. The world of enlightenment doesn't go anywhere. It is endless, luminous perfection. The world of desire leads to more desire.
We'll be presenting a broad spectrum of the music and looking at how the younger guys can carry it on.
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