A Quote by William Bratton

American history and the black experience are inextricable. And both are inextricable from policing. Far more often than not, that's been a good thing. — © William Bratton
American history and the black experience are inextricable. And both are inextricable from policing. Far more often than not, that's been a good thing.
The figure of the gunman in the window was inextricable from the victim and his history. This sustained Oswald in his cell. It gave him what he needed to live. The more time he spent in a cell, the stronger he would get. Everybody knew who he was now.
Interventionism is inextricable from the American idea. If the United States retreats into isolationism, it ceases to be itself ? a nation dedicated, however much it falls short, to a universalist ideal of freedom.
We must [it has been arued] go beyond reductionism to a holistic recognition that biology and culture interpenetrate in an inextricable manner.
Suffering, I was beginning to think, was essential to a good life, and as inextricable from such a life as bliss. It’s a great enhancer. It might last a minute, but eventually it subsides, and when it does, something else takes its place, and maybe that thing is a great space. For happiness. Each time I encountered suffering, I believed that I grew, and further defined my capacities – not just my physical ones, but my interior ones as well, for contentment, friendship, or any other human experience.
I stared at the Ohio River every day as a child, a thing that for me is almost more symbol than river. The formation of personality is inextricable from place. It strikes me as an interesting example of dependent co-arising; land shapes the organism, which then reshapes - literally and figuratively - the land. This because of this; not that because not that. Nothing is separate, least of all the literary mind.
Does it seem to you impossible to imagine anything more inextricable than the social contract, when you think of the frightful number of relations that it must regulate -- something like squaring the circle, or finding perpetual motion? That is the reason why, wearied of the struggle, you fall back on absolutism and force.
The problem is that I work in more than one genre. It's impossible for me to aim for a single one because, for me, comedy is mixed with tragedy. That's very Spanish, the way in which comedy and tragedy are inextricable from each other.
Man... is an inextricable tangle of culture and biology. And not being simple, he is not simply good; he has... a kind of hell within him from which rise everlastingly the impulses which threaten his civilization. He has the faculty of imagining for himself more in the way of pleasure and satisfaction than he can possibly achieve. Everything that he gains he pays for in more than equal coin; compromise and the compounding with defeat constitute his best way of getting through the world. His best qualities are the result of a struggle whose outcome is tragic. Yet he is a creature of love.
Since we are an inextricable part of the field of consciousness, we are also infinitely creative, unbounded, and eternal.
Both European and American historians have done away with any conceptual limits on what in the past needs and deserves investigating. The result, among other things, has been a flood of works on gender history, black history, and ethnic history of all kinds.
Those things are inextricable bound up in my mind, with words I make an image and vice versa.
I think justices of all stripes agree that stare decisis is important, but not an inextricable command. It's not inflexible; it's not absolute.
Our history is every human history; a black and gory business, with more scoundrels than wise men at the lead, and more louts than both put together to cheer and follow.
It's deeply rooted in the American psyche. Black men have always been viewed as the other, which leads to a different application of the laws. The current laws are an obscenity. More black men are locked up for using pot than white folk are for far more serious crimes.
Far more often [than asking the question 'Is it true?'] they [children] have asked me: 'Was he good? Was he wicked?' That is, they were far more concerned to get the Right side and the Wrong side clear. For that is a question equally important in History and in Faerie.
There is an imagined thing called black culture. But culture is a construction. It is learned behavior, not innate. The black American experience is the American experience.
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