A Quote by William Butler Yeats
All art that is not mere storytelling, or mere portraiture, is symbolic, and has the purpose of those symbolic talismans which medieval magicians made with complex colours and forms, and bade their patients ponder over daily, and guard with holy secrecy; for it entangles, in complex colours and forms, a part of the Divine Essence.
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I often use colour to attack form, to break it down a little or begin to dissolve it. But I am not at all interested in 'pure' colour or in colour as a transcendental presence... So if I use colours to begin to dissolve forms, I also use forms to prevent colours becoming entirely detached from their everyday existence.
Art is the creation of forms symbolic of human feeling.
People get used to more complex forms of entertainment, and they become bored by simpler forms. Television has become more complex in order to feed our demand.
Experience is a mere whiff or rumble, produced by enormously complex and ill-deciphered causes of experience; and in the other direction, experience is a mere peephole through which glimpses come down to us of eternal things.
According to me [Sigmund ] Freud did not notice that the dream expresses the inner experiences in a symbolic form,resembling in that, poetry or other art forms.
Nail the colours to the mast! That is the right thing to do, and, therefore, that is what we must do, and do it now. What colours? The colours of Christ, the work He has given us to do- the evangelization of all the unevangelized.
Fine colour implies a unified relationship, in which each part is subordinate to the whole, and the transitions between them are felt to be as precious and beautiful as the colours themselves. In fact, the colours themselves must be continuously modified and broken as part of the transition.
...for limited purposes only, let me define religion as a set of symbolic forms and acts which relate man to the ultimate conditions of his existence.
All forms are complex once you get to a really high level, and jazz and hip-hop are so connected. In hip-hop, you sample, while in jazz, you take Broadway tunes and turn them into something different. They're both forms that repurpose other forms of music.
Never have I witnessed such sincere hospitality and
the overwhelming spirit of true brotherhood as is practiced
by people of all colours and races here in this ancient Holy Land,
the home of Abraham, Muhammad, and all the other prophets
of the Holy Scriptures. For the past week, I have been utterly
speechless and spellbound by the graciousness I see displayed
all around me by people of all colours.
The Olympic flag [] has a white background, with five interlaced rings in the centre: blue, yellow, black, green and red []. This design is symbolic; it represents the five continents of the world, united by Olympism, while the six colours are those that appear on all the national flags of the world at the present time.
[My poems] of course, it's symbolic, in the way that things in a poem can be - that is, pointing to something beyond its mere ordinary meaning, while also retaining all the qualities of that ordinary meaning. In other words, it's a bear, but it's also suggesting something else, just by virtue of the attention to it. But it's not "symbolic" in that way we are taught to think about things in poems.
From what has been said it is also evident, that the Whiteness of the Sun's Light is compounded all the Colours wherewith the several sorts of Rays whereof that Light consists, when by their several Refrangibilities they are separated from one another, do tinge Paper or any other white Body whereon they fall. For those Colours ... are unchangeable, and whenever all those Rays with those their Colours are mix'd again, they reproduce the same white Light as before.
Anyone who understands evolution knows that it doesn't necessarily lead from simpler to more complex life-forms. Rather, it leads to life-forms better suited to their environments.
I decided I should use the most obvious colours - the basic colours with simple names: red, purple, yellow, pink. I don't distort the objects, I don't change the objects, I draw them exactly as they are. I do the opposite with the colours.
Dogma, static positions, consonance - all these are obstacles to catching the disease of art, at least in its more complex forms.
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