A Quote by William Butler Yeats

The living can assist the imagination of the dead. — © William Butler Yeats
The living can assist the imagination of the dead.
[History is] a tyranny over the souls of the dead - and so the imagination of the living.
Hell was not for the living, it was for the dead, even the hallowed dead. Let the dead rest in peace. Someday Mack Bolan, too, would rest. For now, he had to find his way among the living.
I realised the amazing power of literature and of the human imagination generally: to make the dead live and to stop the living from dying.
The border between the dead and the living, if you're Mexican, doesn't exist. The dead are part of your life. Like my dad, who's not here, but he's here.That's why there's the Day of the Dead. There's such a connection with the dead.
The living are soft and yielding; the dead are rigid and stiff. Living plants are flexible and tender; the dead are brittle and dry.
I am confident that there truly is such a thing as living again, that the living spring from the dead, and that the souls of the dead are in existence.
We're living or dying. We're already dead, the living dead. So do what you gotta do. Take care of your family, of yourself as a whole, and everything will be alright.
What's a mediator you ask? Oh, a person who acts as a liason between the living and the dead. Hey, wait a minute...what're you doing with that strait jacket?-Suze Simon's imagination
Whether as living humans or as mythological figures, ancestors have always played an important role in the African popular and literary imagination. Sometimes, as in Amos Tutuola's famous short novels, they directly influence events. More often, as in the works of Chinua Achebe, both living and dead ancestors are sages offering valuable advice.
Tradition does not mean that the living are dead, it means that the dead are living.
I have one sentiment for soldiers living and dead: cheers for the living; tears for the dead.
"When the dead are done with the living, the living can go on to other things," Franny said. "What about the dead?" I asked. "Where do we go?"
'Night of the Living Dead,' then 'Dawn of the Dead' is a few weeks later, 'Day of the Dead' months later, and 'Land of the Dead' is three years later. Each one spoke about a different decade and was stylistically different.
The circumstances of the world are continually changing, and the opinions of men change also; and as government is for the living, and not for the dead, it is the living only that has any right in it. That which may be thought right and found convenient in one age, may be thought wrong and found inconvenient in another. In such cases, who is to decide, the living, or the dead?
Claim your place in the sun and go forward into the light. The tools are there; the path is known; you simply have to turn your back on a culture that has gone sterile and dead, and get with the programme of a living world and a re-empowerment of the imagination.
Imagination must constantly run on a new track or it becomes lifeless. A living imagination is essential to prayer.
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